Two Feet : The Next Steps Tour presale codes

Two Feet is the project of Zachary Dess, a New York guitarist-producer known for smoky vocals over slow-burn beats and bluesy riffs.

Shadowy grooves, clear intent

His catalog leans minimal and intimate, favoring space, sub-bass, and clean guitar lines that bend into the melody. On this run he is likely to pull from breakout singles and newer favorites, with Go F* Yourself**, I Feel Like I'm Drowning, Had Some Drinks, and Love Is a Bitch anchoring the arc. The crowd skews mixed in age, with producers comparing notes at the bar, guitar kids clocking finger vibrato, and couples finding the slow sway in the back. Expect dynamics that rise and fall rather than nonstop bangers, keeping the room focused on tone and mood.

Small-room secrets

He self-produces much of his work, and many tracks started as late-night guitar loops refined in a home studio. Live, he tours with a drummer and sometimes a multi-instrumentalist to thicken the low end without clutter. For transparency, any talk here about specific songs or stage moves is a best-guess snapshot from recent shows and can shift by city.

The Scene: Monochrome Fits and Bass You Can Feel

The room usually fills with dark denim, simple tees, and a few leather jackets, matching the music's low-light tone.

Quiet sing-alongs, big drops

People tend to sing the hooks under their breath and save the volume for the chorus tags, especially on I Feel Like I'm Drowning and Go F* Yourself**. You will notice phones come out mostly for the first riff hits, then go back down once the groove settles. Merch leans minimalist too, with clean fonts and muted colors that feel more streetwear than souvenir.

Producer kids and guitar heads

After the show, small groups trade thoughts about bass mixes and guitar pedals, but it stays friendly and low-key. The vibe is social without being pushy, with folks giving space to dance or sway as they like. When the encore lands, the clap cadence is steady rather than roaring, which suits a project that builds pressure in small steps.

Strings, Sub-Bass, and the Slow Burn

The live mix puts his breathy vocal just atop the kick and sub, so every whisper rides the groove without getting lost.

Less notes, more space

Guitar stays clean with a slight edge, often double-tracked or looped to thicken choruses while the drummer flips between tight half-time and crisp two-step feels. Arrangements favor short verses and long outros, letting a single riff cycle while small details change, which keeps tension without clutter. You will hear synth bass doing the heavy lift under the guitar, with pads filling air when he drops out to sing.

Haze and hush, not overload

A neat live habit is stretching the pre-chorus of I Feel Like I'm Drowning a little longer before the drop, making the chorus hit feel heavier when it lands. Lights tend to glow in cool blues and violets with slow strobes on the downbeat, framing the music instead of chasing it. When the band opens the tempo, it is usually to lift a hook for a minute, then they sink back to the pocket so the vocal stays intimate.

Kindred Spirits for Two Feet Fans

If you vibe with Two Feet, you will likely line up for Chet Faker, whose hushed vocals and late-night tempos land in the same zone.

Slow-burn cousins on the road

Tom Misch brings guitar-forward grooves with soft-touch drums and mellow keys, appealing to fans who like melody over flash. Bob Moses stretches moody house into song form, offering the same foggy warmth but with a club spine. If you crave looping wizardry and solo-guitar fireworks, Tash Sultana hits a similar headspace though with more improvisation. All four acts favor texture, restraint, and a patient build, which mirrors how Two Feet turns a simple riff into a full-room sway.