Jam For Good Presents The Head And The Heart presale codes

The band comes out of Seattle, and you can hear it in the warm harmonies and grounded folk beat.

From Pike Place to packed theaters

They started by busking and trading burned CDs before their self-titled The Head and the Heart was reissued by Sub Pop. A key turn was co-founder Josiah Johnson leaving in the mid 2010s, which nudged more lead duty toward Jonathan Russell and Charity Rose Thielen. Expect a blend of early singalongs and glossy newer cuts, with likely slots for Rivers and Roads, Lost in My Mind, All We Ever Knew, and Honeybee.

Songs and the people who sing them

The crowd skews mixed, from college friends to new parents, with lots of soft flannels, denim jackets, and easy group harmonies on the big refrains. They sharpened early drafts at the Conor Byrne open mic in Ballard, and the band still swaps instruments live to reset the mood between songs. They often place Rivers and Roads at the end, letting the room carry the coda while the band eases the dynamic. Treat the set and staging notes here as informed guesses from recent runs, and know the actual show could pivot.

The Head And The Heart Fans In The Wild

This scene leans friendly and low-key, with people arriving in small groups who actually listen between songs.

Quiet community, loud feelings

You see soft flannels, broken-in boots, simple silver jewelry, and a lot of tote bags folded under seats. When the wordless hooks hit, sections hum the melody rather than shout, and claps land on the backbeat. Couples sway during the slower tunes while a few fans hold up notebooks for a lyric they love.

Signals from the floor

Merch trends tilt toward vinyl, beanies, and a tour tee that nods to the 2010s indie folk wave without loud branding. Between sets, you catch talk about past weekenders, favorite encores, and which harmony part they try to sing at home. It feels like a book club that happens to sing in tune when the chorus arrives.

How The Head And The Heart Build a Song

Live, the band centers on two clear voices trading lead and stacking thirds for lift.

Voices first, band follows

Acoustic guitars and piano set the frame while violin lines thread between phrases rather than sit on top. Drums favor brushes and floor-tom pulses, which leaves room for handclaps and crowd parts without clutter. They often start a tune bare and slow, then step the tempo a notch for the final chorus to give it air. A subtle trick they use is shifting a song down a half step on stage, which warms the timbre and keeps the high notes singable.

Small choices, big feeling

Guitars show up in bright capo shapes that change voicings, making familiar songs feel a bit new. Expect a few rearrangements too, like a quiet mid-song breakdown in Honeybee or an extended coda where the crowd holds the last line of Rivers and Roads. Lighting tracks the dynamics with soft ambers in the storytelling parts and cooler blues when the rhythm opens up.

If You Like The Head And The Heart, Try These

Fans who love rich group harmonies and acoustic drive often also show up for The Lumineers, whose stomp-clap choruses hit a similar communal nerve.

Kindred harmonies

Lord Huron appeals to the same crowd that favors narrative lyrics and wide-open, cinematic guitar tones. Fleet Foxes share rootsy textures and layered voices, though they lean more pastoral and intricate. Caamp bring a campfire rasp and sturdy grooves that mirror this band's easy sway. If you prize melody first and light percussion that serves the song, any of these acts will sit well in your rotation.

Shared live arc

Live, all four build an arc from hushed starts to big communal peaks, then glide back to hush without losing tempo. That balance of intimacy and uplift is the shared lane.