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Show 99.5 Presents: The Black Jacket Symphony The Dark Side of the Moon presales in more places
Prism Perfect: The Black Jacket Symphony
The Black Jacket Symphony is a long-running touring project that rebuilds classic albums onstage with a rotating cast of expert players. For The Dark Side of the Moon, they focus on the studio details, playing the record front to back with the same segues and pacing.
A studio epic, rebuilt onstage
Expect the first set to mirror the album, with pieces like Time, The Great Gig in the Sky, Money, and Us and Them landing exactly where you expect. A second set usually follows with deeper Pink Floyd cuts, but the overall feel stays faithful and measured.Two-set arc, close-listening crowd
The crowd skews multi-generational, from longtime vinyl collectors to teens in prism tees, and people tend to listen closely rather than shout. Trivia fans notice that the band often re-creates the original tape effects live via samplers, and they sometimes split the soaring 'Great Gig' vocal across two singers to keep it graceful. The players wear dark jackets and keep chatter light, which keeps attention on the music. Note that any set and production specifics here come from patterns at prior stops, not a locked script for this night.The Black Jacket Symphony Crowd, Up Close
You will see a lot of black and denim, retro band tees, and a few homemade prism designs that nod to the record without copying it outright. Before the first note hits, people tend to keep conversation low, and once the heartbeat starts, the room gets noticeably still.
Moments that swell and hush
The loudest bursts of energy come on cash-register hits in Money, the roaring vocal peaks in The Great Gig in the Sky, and the final chorus of Eclipse. In the second set, if a big Floyd staple shows up, expect a quick, playful shout-along on its famous line, then a return to focused listening.Merch, memories, and manners
Posters and vinyl-style tour prints move fast at the merch table, and setlist collectors trade notes about small arrangement choices. Older fans often bring younger listeners and point out moments they remember from hearing the album on big speakers at home. The overall culture is respectful and music-first, which suits a show that prizes detail and patience.How The Black Jacket Symphony Makes It Breathe
The music works because the vocals aim for clarity over theatrics, letting the lyrics sit in the mix the way the record does. Guitars chase the smooth sustain and bite associated with Gilmour, with careful use of delay so notes bloom without crowding the groove.
Tone before flash
Keyboards handle Rhodes-style chords and Hammond swells, and the sax carries those warm, sighing lines that make Us and Them feel weightless. The rhythm section keeps tempos unhurried, and in Money they ride the seven-beat pattern before opening up to a straight rock feel for the solo. Arrangements are album-true, but the band leaves tiny spaces for breath, like slightly longer fades between the heartbeat and the first vocal.Small moves, big payoffs
A lesser-known touch: the drummer often runs a click to line up the clocks, cash registers, and heartbeat samples so the transitions land clean. Backline players blend backing vocals in tight thirds, and on 'Great Gig' they may trade phrases so the high notes stay smooth across the arc. Lighting mirrors the dynamics, using color shifts and simple geometric shapes to underline swells instead of stealing the show.Kindred Echoes for The Black Jacket Symphony
If you enjoy this show, Brit Floyd is a natural match for their arena-scale Pink Floyd tribute with meticulous sound. Fans also cross over with The Australian Pink Floyd Show, which leans into big visuals while keeping the feel tight.