Trivecta (18+) presale codes

Trivecta is a melodic bass producer and guitarist known for folk-tinged leads and chest-rattling drops.

From Tampa roots to festival mainstays

He came up on YouTube and Monstercat-era singles before finding a home on Ophelia, and his lane blends trance glow with dubstep weight. Lately he has pushed a more live format, bringing a guitar on stage and writing edits that spotlight riffs without losing impact.

What you will likely hear

Expect sing-along picks like Talk and Open Road, plus collab anthems such as Island and Wild and Broken reworked for big-room lift. Crowds tend to be a mix of Ophelia loyalists, bass fans who prefer melody, and curious guitar heads, with jerseys next to soft gradient tees and a lot of quiet during builds. Early in his career, he studied guitar arrangement closely, which shows in the way his drops keep a clear melody you can hum. He also has a habit of opening with a short acoustic figure before the first hit, a small ritual that sets a patient tone. Note that the songs mentioned and any production notes are informed guesses based on recent shows, not a promise.

The Scene Around Trivecta: Soft Gradients, Firm Drops

You will see Ophelia hockey jerseys next to faded band tees, with folks in trail shoes and cozy hoodies made for long nights on concrete.

Gentle energy, big voices

People tend to listen during intros, then sing the main lines as if they were guitar chants, especially on Open Road. Call-and-response whoas pop up before the snare run-ups, and the room often claps on twos and fours when a trancey section blooms. Merch skews practical: clean logo shirts, hats, and the occasional guitar-pick keychain that nods to the live strings.

Little rituals, label pride

Fans trade stories about first hearing a Monstercat-era track, and many carry small Ophelia pins on backpacks or jackets. Flags are rare here, but small LED bracelets and soft gradient light toys fit the mood without blinding the row behind you. It feels like a space where bass heads bring a friend who loves melody, and both walk out humming the same hook.

How Trivecta Builds the Room: Strings, Stems, and Space

Trivecta designs sets around clear melodies, so his guitar often doubles the vocal line or the top synth to keep the tune front and center.

Drops that breathe, leads that sing

Drops hit hard, but he leaves a pocket of space so kicks and bass feel big rather than noisy. He favors halftime swing at dubstep tempos, then flips into four-on-the-floor for a lift, which resets the room without killing momentum. Vocals arrive via stems and edits from collaborators, and he layers soft harmonies under the hook so the chorus feels thicker without blaring. A neat quirk: he sometimes shifts a collab up a step live to suit the guitar neck, which changes the color of the second drop in a subtle way.

Light as texture, not a crutch

Visuals tend toward nature scenes and slow pans, with warm gold for guitars and icy blue for the heavier parts. The band role here is the rig itself, and he programs transitions so pads and arps carry the tune while he swaps to lead parts on the fly.

Kindred Sounds: Who Else Scratches the Trivecta Itch

Fans of Seven Lions will feel at home, because both favor soaring vocals over weighty drops and a wide, cinematic sweep.

Melodic bass, different shades

Illenium shares the heart-on-sleeve build and cathartic release, though Trivecta leans a bit earthier with guitar-forward hooks. Dabin is a clear neighbor, thanks to live guitar moments and a knack for turning leads into crowd sing-backs. If you like emotional chord changes with crisp percussion, MitiS is a smart fit. For something heavier but still melodic, Wooli overlaps on collabs and brings the same clean low-end focus that rewards good systems. All of these acts draw listeners who want impact without giving up melody, which mirrors this show.