On this co-bill, Third Eye Blind stands on decades of Bay Area alt-rock hooks while Yellowcard brings Florida pop-punk energy shaped by violin lines.

Two paths, one big sing-along

The story lately is Yellowcard's return after a long break, which adds a grateful tone to new shows and deeper cuts. Expect a mixed-age crowd, from millennial lifers in faded tour tees and Vans to younger fans discovering these songs with parents, all quick to shout hooks. The set will likely stick to anchors like Semi-Charmed Life, Jumper, Ocean Avenue, and Only One, with a few mid-tempo breathers slotted between.

Hooks, history, and a reunion glow

A neat footnote is that the studio version of How's It Going to Be used an autoharp, a texture the band now fakes live with chiming guitars. Another lesser-known origin note is that Yellowcard started with a different singer before Ryan Key, which is why their earliest recordings lean more hardcore. Take this as an informed guess; both the songs named and any production flourishes could shift from night to night.

Faded tees, fresh voices

The room skews friendly and detail-obsessed, with folks comparing pressing variants and swapping memories of summers tied to Ocean Avenue or the self-titled Third Eye Blind debut.

What people wear and shout

You will see vintage band tees, flannels over shorts, and a run of Vans and Docs, plus a few violin pins nodding to Yellowcard. Group vocals pop on the first line of Jumper, and whole sections yell the late-song run of Ocean Avenue without prompting. Handclaps surface on mid-tempo builds, while phones go away during older deep cuts out of quiet respect.

Merch and little rituals

Merch tables lean toward retro fonts, lyric tees, and a couple of limited vinyl colorways that sell fastest early. Friends trade setlist bingo cards for whether Never Let You Go or Way Away shows up, then laugh when both do. The vibe reads like a reunion of eras rather than a costume party, which keeps the night grounded and warm.

Bright choruses, tighter edges

Vocally, Stephan Jenkins leans into a talk-sung tenor that sits right on the beat, while Ryan Key cuts through with a cleaner, higher push.

Parts that lock, parts that soar

Third Eye Blind often tightens grooves with palm-muted verses and wide-open choruses, so the rhythm section can slam accents without muddying the hooks. Yellowcard builds counter-melodies on five-string electric violin, which threads between guitars instead of sitting on top of them. Live tempos tend to tick a little faster than record, adding lift without rushing past the sing-alongs.

Small tweaks that matter

A nerdy detail worth catching is how the autoharp shimmer from How's It Going to Be becomes a chorus-laced clean guitar pattern on stage. They like to stretch the outro of Motorcycle Drive By so the drums can push a long crescendo before dropping to vocals. You may also hear a half-step-down tuning on a few Yellowcard staples, keeping keys comfortable while preserving bite.

Kindred Strings: Third Eye Blind and Yellowcard fans cross paths

Fans of Jimmy Eat World will recognize the same bittersweet anthems and steady, no-drama live pacing.

Melody-first neighbors

Dashboard Confessional fits for the earnest sing-alongs and acoustic detours that can turn big rooms into campfire moments. If you like punchy radio choruses with crisp guitars, The All-American Rejects occupy a nearby lane. Goo Goo Dolls share the alt-rock polish and multi-generational draw, even if the tempos sit a notch lower.

Hooks over horsepower

All of these acts favor clear melodies over flash, which lines up with how this bill hits. They also tend to keep the stage picture clean, letting harmonies and hooky riffs do the heavy lifting. That overlap makes the crowd a blend of pop-punk energy and adult alt taste without feeling mismatched.