The Two Lips: Kiss & Tell Tour presale codes

This duo makes bright alt-pop with smooth R&B edges and frank stories about crushes and missteps.

From Clips to Big Rooms

They came up through word-of-mouth clips and small-room shows, and now step onto bigger stages with more focus.

What You Might Hear

There is no big lineup drama here. The shift is scale and polish, not a change in heart. Expect sing-ready cuts like Kiss & Tell, the slinky Lip Service, and a mid-tempo sway like Tangled to anchor the night. The room skews mixed in age, with friend groups and couples trading lines back and forth without drowning the mics. A neat habit: they often open with a short a cappella tag to show how tight their blend is. Early demos were said to lean on a cheap tape-saturation box, which explains the cozy grit they sometimes chase live. To be clear, the song list and production touches mentioned here are informed guesses and could differ from what you see.

Glossed and Gathered: The Two Lips Crowd, Up Close

Expect a lot of lip-print tees, glossy reds, and small heart pins, with folks styling denim and satin in the same look.

Singbacks and Soft Glow

You hear soft call-and-response moments, especially on pre-choruses where the crowd echoes the last word with a smile. People tend to film a verse or two, then pocket the phone and sway, which keeps the room relaxed but alive. Merch tables often move zines, lyric postcards, and a few pastel items instead of flashy stuff. The dance floor usually opens up on the brighter singles, then tightens into slow shoulders when the lights turn blue. It feels social without pressure, like a meet-up for music-first listeners who still like to dress the part.

Mouthfeel: How The Two Lips Sound Live

The vocals trade lead and harmony, with one voice carrying the hook while the other adds a warm glide under it.

Layers That Breathe

Arrangements tend to start lean, then layer synth-bass, handclaps, and guitar or keys as the chorus hits.

Small Moves, Big Lift

Tempos sit in the danceable mid-range, which keeps the set moving while giving space for lines to land. A small but telling habit is dropping the second chorus down to almost a whisper before bringing it back with thicker harmonies. The drummer favors tight, dry kick and snare sounds that make the bass lines feel springy rather than heavy. You might catch the guitarist using a capo high on the neck to get that bright, bell-like texture without turning up too loud. Visuals are tastefully minimal, with color washes that change per section, letting the singing and groove do most of the work.

Kissing Cousins: The Two Lips Kindred Acts

If you like the mix of glossy hooks and vulnerable lines, MUNA sit in a similar lane with big choruses built for group sing.

Overlapping Fans, Shared Pulse

Fans of raw but sleek pop confessionals will find FLETCHER close in tone and in the kind of crowd call-and-response she sparks. Tove Lo shares the club-ready pulse and candid humor, and she leans into the same sweat-and-spark groove. For darker edges and mood lighting, BANKS hits the brooding side that this duo taps when they slow the beat down. All four acts prize clean beats, crisp top-line melodies, and a live arc that climbs, exhales, and then lands soft.