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Yot Club is the project of Mississippi-born Ryan Kaiser, mixing surf-leaning guitar, new wave bounce, and bedroom-pop haze.

From Bedroom to Blog Feeds

The move from home recordings to a touring band sharpened the edges while keeping the shy, airy vocal at the center.

What You Might Hear

Expect a set that spotlights YKWIM?, the song that found a second life online, alongside Japan and Sunrise for a bright, steady lift. If the night stretches, Pink and Blue usually shows up as a breezy mid-set singalong. You will see college radio folks, local DIY musicians, and casual pop fans in the same room, nodding to bass lines and dancing in small circles rather than pushing to the rail. A neat bit of trivia: the moniker is intentionally misspelled to look like a phonetic note, and most early EP tracks were self-produced in a tiny apartment on thrift-store gear. Another tidbit: the full-length Santolina trades crunch for glide, so older songs often get a slightly glossier treatment live to match. For clarity, these song picks and production notes are educated guesses based on past dates, not a promise for your show.

Polaroids, Pastels, and a Big Singalong

The scene skews casual and creative, with thrifted stripes, soft pastels, and beat-up sneakers outnumbering statement pieces.

Soft Colors, Loud Choruses

Disposable and film cameras peek out between songs as people trade places to snap the stage glow. When YKWIM? starts, the room instinctively chants the "do you think I'm pretty" line a beat early, then locks into the backbeat claps. Couples two-step in the corners during slower numbers, while friends form small dance pods near the middle, giving each other space.

DIY Touches Everywhere

Merch trends toward hand-drawn fonts, muted colors, and seaside doodles, with a hat or tote selling out first. You might spot local band shirts and homemade pins, a nod to how these shows pull from campus radio and DIY rooms. The vibe is polite but not stiff, with quick thank-yous after songs and a shared hush when a quiet intro begins. Post-show, folks linger to compare favorite deep cuts and swap playlists, then fade into the night still humming a guitar line.

Hooks First, Then the Haze

Live, the vocal stays soft and slightly detached, which lets the guitar hooks carry the conversation.

Jangle with a Pulse

Arrangements favor tight verses that open into wide choruses, with the drummer nudging tempos a notch quicker than the records. The bassist often doubles the guitar riff in a higher register during turnarounds, adding sparkle without clutter. Keys color the edges, choosing simple pads and single-note hooks over thick chords so the jangle has room.

Small Tweaks, Big Lift

A small but telling habit is extending the last eight bars of YKWIM? for an all-hands clap, then cutting to silence for the release. Between songs, brief synth interludes stitched from home-studio stems keep flow intact while guitars are swapped. Lights track the rhythm rather than the lyrics, bathing the room in cool tones that make the chorus jumps pop.

Kindred Spirits for Yot Club Fans

Fans of Dayglow, Vacations, The Drums, and Surf Curse tend to overlap here for good reason.

Sunny Jangle, Melancholy Core

Dayglow shares the clean-guitar sparkle and buoyant rhythms that keep the floor moving without turning the show into a shout-along. Vacations brings sun-faded riffs and wistful melodies that match the relaxed, bittersweet tone. The Drums lean into post-punk bounce and reverb-kissed hooks, a kinship you can hear in the bass-led grooves. Surf Curse attracts a crowd that likes their indie lean and fast, which fits the uptempo cuts and wiry guitars.

Same Shelf, Different Shades

If you like crisp choruses with a touch of melancholy, these scenes sit on the same shelf. Expect similar energy arcs too, where a gentle opener swells into dancier mid-set peaks before a swaying closer.