Two-time crown, new chapter
Setlist bones and fan pulse
Loreen is a Swedish-Moroccan pop artist who blends icy synth pop with warm, ritual textures. Her second Eurovision win pushed her into a new phase where the beats hit harder and the space between notes matters more. Expect a set built around
Tattoo and
Euphoria, with
Is It Love and
My Heart Is Refusing Me as dynamic pivots. The room usually mixes Eurovision die-hards, pop heads, and curious new fans, swapping flags and softly harmonizing the big choruses. You will notice quiet pockets near the back studying her hand choreography like a language while others at the rail echo the drum thumps on their chests. A neat bit of lore is that she stacks layers of her own voice in the studio until the chords feel human, and she often performs barefoot to stay grounded. Another small quirk is how she cues long sustains with a slow palm lift, letting the band swell before the drop. Any notes here on song order and staging are inferred from recent appearances and could change show to show.
Where Loreen's Fire Meets the Floor
Flags, braids, and soft neon
Shared rituals, quiet respect
Pre-show, you see small groups comparing setlist hopes in calm voices while others pin tiny country flags to jackets. Many mirror
Loreen's look with flowing blacks, stacked rings, and braids dotted with gold clips. When
Tattoo starts, there is a low hummed line through the verses, and the room saves its release for the last chorus. The chant from
Euphoria shows up between songs as a gentle two-note call rather than a shout. Merch skews earthy and minimal, with wildfire icons and soft neutrals that actually get worn the next day. Phones come out for the big hits, but you also notice long stretches where hands stay free and people watch the small gestures. After the show, fans trade clips and translations of small spoken lines, treating them like puzzle pieces. It feels like a community that values presence first, then the post-show glow second.
How Loreen Builds a Storm, Then a Stillness
Drums as heartbeat, synths as weather
Small vocal moves, big payoffs
Loreen carries the center with a smoky low register and sudden clear top notes that cut through the mix. The live band usually runs two keyboards for arpeggios and sub-bass, plus a drummer who favors floor toms over busy cymbals. Arrangements breathe, starting lean with a pad and hand drum, then adding grit as the chorus repeats. She often stretches the bridge of
Euphoria into an ambient interlude, letting a drone hang before the beat returns. Tempos sit in the middle so people can move without losing the chant feel, and drops land on strong downbeats to keep it communal. Guitar stays as texture more than riffs, with long echoes that widen the room. A quieter cut like
Is It Love might pivot to a stripped verse, then come back with stacked harmonies to lift the hook. Visuals support the sound with warm shadows and wind cues that suggest motion without stealing focus.
If You Like Loreen, Try These Roads
Kindred pulses, different skies
Pop with drama in the bones
Fans of
Loreen often also track
Tove Lo for sharp Swedish pop that flips from tender to gritty onstage.
AURORA shares the earthy mystic streak and uses breathy dynamics that swell into big peaks. If you like crisp dance-pop hooks and tightly drilled bands,
Dua Lipa hits a similar pocket from a club angle.
Zara Larsson overlaps on polished vocals and high-gloss arrangements, drawing a similar cross-generational crowd. Like
Loreen, they keep the choruses clean while the textures underneath shift like weather. Each of these shows favors light-and-shadow moves where the emotional climb feels earned and the release lands with purpose.
