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Through the Maze with Jim Henson's Labyrinth

Jim Henson's Labyrinth began as a 1986 fantasy film, with songs by David Bowie and a sweeping score by Trevor Jones. This concert puts the movie on the big screen while a full orchestra and tight rock rhythm section play the score live.

Songs from the Goblin City

Because Bowie passed in 2016, his vocals and on-screen presence lead the narrative while the band colors around him. Expect spotlight moments for Underground, Magic Dance, As the World Falls Down, and Within You, paced to the film's scenes.

Film Score Meets Live Stage

The crowd skews multi-generational: lifelong Bowie fans, fans raised on Jim Henson who now bring their own kids, and film-score nerds comparing woodwind lines at intermission. Trivia heads will note that Bowie recorded the baby gurgles on Magic Dance himself when the infant would not cooperate, and that Jones leaned on early digital samplers before expanding the orchestral palette. Production and setlist details here are inferred from similar live-to-film events and may differ on the night.

Culture of the Maze: Jim Henson's Labyrinth Crowd

This crowd dresses for play, with velvet capes, lace gloves, and glitter eyeliner nodding to the ballroom scene.

Glitter, Velvet, and Goblins

You will see crystal contact juggling balls tucked in bags, and the occasional hair teased high in tribute to 80s style. Chants break out during Magic Dance, especially the call-and-response lines, and families tend to join without self-consciousness. Merch leans tasteful: enamel pins shaped like the door knockers, soft tees with vintage poster art, and sometimes a limited vinyl pressing of the score.

Rituals That Feel Communal

Between cues, fans swap trivia about puppetry builds and share favorite Bowie-era stories in a relaxed, curious tone. Cosplay is welcomed but not required, and most people aim for comfortable outfits with one bold accent rather than full costume. It feels less like a costume party and more like a gentle 80s arts night where film buffs and music lovers meet in the middle.

Gears Behind the Glam: Jim Henson's Labyrinth Live

The core engine is the orchestra, with strings carrying the emotional weight while brass and woodwinds sketch the maze's corners.

Orchestral Muscle, Pop Heart

A drum kit, bass, guitar, and vintage-voiced synths supply the 80s bite so David Bowie's numbers feel rooted yet fresh. Conductors in live-to-film settings follow streamers, punches, and a click, which keeps tempo locked to picture but still allows swells to breathe. Listen for handclap patterns in Magic Dance doubled by snare and tambourine to make the room clap in time without being told. Ballads like As the World Falls Down often get a lusher string pad live, with harp or celesta brightening the top.

Small Choices, Big Impact

Guitars lean on chorus and clean delay, and keys favor warm analog patches over brittle digital tones, softening the edges of 80s production. A useful inside-baseball detail: music directors sometimes nudge tunings or transpose a half-step to match the archival pitch of the film stems, preserving blend with on-screen vocals.

Map of Nearby Worlds: Jim Henson's Labyrinth Fans

Fans of Hans Zimmer often enjoy film-in-concert shows where the orchestra carries big themes, so that overlap is natural.

Film Buffs Meet Art-Pop

Danny Elfman draws a similar blend of playful darkness and widescreen melody, and his concerts also thread pop roots into film cues. Art-pop listeners who track theater-grade visuals will recognize kinship with Peter Gabriel, whose live shows value storytelling and texture. If the 80s synth-and-sparkle side of David Bowie pulled you in, Duran Duran hits that era sweet spot while keeping the groove light on its feet.

Where Orchestras Rock

For those who favor moody romance and patient builds, The Cure cultivates the same devoted, cross-generational crowd energy this program attracts. All of these artists prize strong hooks framed by careful arrangements. They also share an audience that likes sound design as much as songs.

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