#### Witchcraft and waveforms LEVEL UP leans into gritty, horror-tinged dubstep while ZINGARA favors mystic, floaty bass that still hits hard. Both came up through the North American bass circuit, building from club shows to festival slots with stubborn DIY energy. A likely arc here is an eerie opener into rumbling 150 BPM pockets, with anchors like Sleep Paralysis and Astra setting the mood. Crowds at this pairing skew mixed and curious, from local producers trading notes to hoopers and flow artists who love space between drops. A neat detail: LEVEL UP often spices her intros with creaking-door foley and radio-static textures, while ZINGARA threads tarot and star-map motifs into visuals. You might also catch surprise IDs or quick nods to friends on the circuit, folded in as clever tease-and-release moments. Fair warning: the song choices and production flourishes here are my best guess from recent shows, not a promise. #### What you might hear

### Bass coven roll call: the LEVEL UP and ZINGARA scene, up close

#### Threads and totems You will see dark tees with sigils, rune-like fonts, and soft beanies next to bright flow fits and reflective pants. Fans keep earplugs handy, trade kandi with simple motifs, and form little semicircles to give movers room when the drops stretch out. Chants pop up on quick snare rolls, but the bigger shared cue is a low oooh before the hit and a grin after the sub clears. Merch leans black and deep purple with astral graphics for ZINGARA and glitchy, haunted typography for LEVEL UP. This scene nods to early 2010s dubstep wobble while embracing today’s spacey, cinematic edges. People compare notes on IDs, swap playlists quietly between sets, and celebrate producers as much as songs in the pop sense. #### Little rituals

### Sub-plot twist: ZINGARA and LEVEL UP build drops with intent

#### Anatomy of a drop These are DJ-driven sets, so vocals are mostly samples or quick features, with the focus on how the drops reshape the room. LEVEL UP favors chunky, stop-start rhythms that leave air around the sub, making each hit feel like a chest tap. ZINGARA tends to paint the mids with glassy leads and reverb tails, then tucks the kick into the pocket so the low end rolls instead of thuds. They will double-drop compatible tunes and occasionally pitch one slightly so the bass notes line up and the blend feels glued rather than messy. A common move is halftime tension into a fake-out and then a faster slice, sometimes jumping to 170+ to end with a drum-and-bass sprint. Lighting is moody and color-shifted more than blinding, a match for sets that build scenes and then slam them down. Listen for alt versions or quick VIP swaps on the second drop, where a hook you recognize returns with a new bass carve. #### Craft, not chaos

### Kindred wubs: if you ride with LEVEL UP, you will vibe with these too

#### Overlap on the spectrum Fans of Subtronics will feel at home thanks to rubbery, playful sound design and sudden switch-ups that snap back into heavy grooves. Of The Trees overlaps on the moody, forest-floor side of bass, where detailed atmospheres set up thudding low end. Mersiv brings that widescreen, emotional swell before the hit, a shape these sets often mirror on bigger moments. If you like ironclad drops shaped for rail energy but with melody peeking through, Jessica Audiffred is a strong neighbor in your playlist. The shared appeal across these acts is texture first, with bass that growls rather than blares and pacing that rewards patience. Expect crossover fans who chase weird sound design at 140-150 BPM but still want hooks they can hum walking out. #### Why it clicks