Tedeschi Trucks Band and very special guest Sheryl Crow presale codes

Tedeschi Trucks Band is the big-band blues and soul project led by Susan Tedeschi and Derek Trucks. After losing multi-instrumentalist Kofi Burbridge in 2019 and pausing for the pandemic, the group rebuilt around Gabe Dixon and deepened its catalog with the four-part I Am the Moon cycle.

From loss to a renewed chapter

Expect slide guitar sermons, warm horns, and Susan's clear, gospel-leaning delivery that cuts through the mix.

Songs you will probably hear

A likely arc includes Midnight in Harlem, Made Up Mind, and Bound for Glory, with a communal cover like The Weight that could bring Sheryl Crow to the mic. The room skews multi-generational, from local blues heads and jam collectors to radio-rock fans drawn by Crow, with lots of faded denim, comfortable boots, and vintage tees. Two quick bits: Susan once opened for B.B. King before the band even formed, and Derek often plays bare-fingered in open tuning for that singing slide tone. Much of I Am the Moon was cut live to tape at their Swamp Raga home studio in Jacksonville, which explains the warm, roomy feel on stage. Treat any talk of songs or staging here as a seasoned forecast, not a promise, since this group shifts on instinct and guests.

The Tedeschi Trucks Band Crowd: Denim, Posters, and Sing-Alongs

Styles in the aisles

The scene mixes longtime blues collectors, jam-scene regulars, and newer folks drawn by Sheryl Crow, with denim jackets, worn boots, sundresses, and vintage tour shirts in view. Pre-show chatter often centers on which version of Midnight in Harlem people love most and where last night's horn solo peaked. During Made Up Mind, you will hear cheers rise on the big chorus, and the crowd tends to clap on the backbeat when the drums drop to a pocket.

Little rituals that stick

You will also catch a full sing-along on the oohs in Midnight in Harlem, and quiet focus when Derek leans into a long slide phrase. Merch leans toward moon-phase artwork from I Am the Moon, hand-numbered posters, soft tees in earth tones, and enamel pins shaped like a slide or an SG. Post-show, people swap notes on which jam section hit hardest and trade favorite recordings to revisit, but the tone stays friendly and grounded.

How Tedeschi Trucks Band Shapes the Sound, Not Just the Song

Susan's voice rides the band with grit and control, and Derek's slide sings like a second vocalist rather than a flashy lead.

Dynamics first, volume second

Arrangements leave space for the horn section to answer phrases, while keys glue parts together and dual drums create a rolling undercurrent without crowding. Slow burners stretch so notes can hang in the air, and quick shuffles stay tight, then open into codas where the band stacks small swells into a big release. A small but telling detail: Derek often keeps his SG in open E and runs straight to a cranked amp with almost no pedals, so tone and volume change with his touch.

Small tweaks, big payoff

The group frequently reharmonizes a bridge or drops the band to a hush to spotlight Susan, then horns re-enter on a clean unison that snaps focus back. Gabe Dixon adds sturdy third harmonies and left-hand weight, while Brandon Boone locks with the kick to give slide lines a soft cushion instead of harsh bite. Lighting is classic and warm, with backlights that silhouette solos and nothing that distracts from the interplay. On Idle Wind, they often run a rotating drum and percussion feature where Tyler Greenwell and Isaac Eady trade short phrases, building tension without speeding up.

If You Like This Groove: Tedeschi Trucks Band Fellow Travelers

Fans who love solos and soul

If you like long-form grooves and deep-pocket improvising, Gov't Mule delivers thick organ, searing guitar, and patient builds. Bonnie Raitt appeals for her soul-rich vocals, tasteful slide, and a road band that prizes feel over flash.

Adjacent roads worth walking

For a younger take on southern soul power, Marcus King pushes huge dynamics and emotive singing that land in the same neighborhood. Fans who want swaggering roots rock and singable hooks can find it with The Black Crowes, whose shows leave room for stretched outros. All four acts share analog warmth, generous solos, and crowds that listen hard during quiet parts and erupt when the groove crests.