THE EARLY NOVEMBER & HELLOGOODBYE: 20 Years Young presale codes

The Early November cut their teeth in New Jersey emo, while Hellogoodbye rose from SoCal DIY to synth-friendly indie pop.

Twenty Years, Two Paths, One Stage

This 20-year moment leans into origin stories and growth, from a 2007-2011 pause for TEN to Hellogoodbye's move from Auto-Tune sparkle to the warm guitars of Would It Kill You?. Expect a balanced arc with singalongs like Ever So Sweet, I Want to Hear You Sad, Here (In Your Arms), and When We First Met, spaced between deeper cuts. You will see millennial scene vets next to newer fans who found both bands via playlists, with soft choruses sung loud and a patient, friendly pit. Ace Enders once sketched the ambitious triple-disc The Mother, The Mechanic, and The Path, complete with spoken scenes that showed the band's storytelling itch. Forrest Kline tracked early Hellogoodbye parts in a bedroom setup, printing vocoder lines to audio instead of relying on live effects.

Notes, Nods, and Likely Highlights

Treat the setlist and production notes here as educated guesses, not promises.

The Early November & Hellogoodbye: Fans, Fits, and Shared Memory

This crowd dresses for comfort and memory, with faded Drive-Thru-era tees, vintage track jackets, and thrifted cardigans next to fresh band hoodies.

Throwback Fits, Kind Faces

You will hear pockets of quiet before the first line of Ever So Sweet, then a full-voice singalong that feels like a shared diary entry. When Here (In Your Arms) hits, friends link shoulders, couples sway, and the front rows clap on twos and fours. Merch leans into the anniversary idea: retro poster fonts, split-color vinyl, and maybe a zine of tour photos. Between sets, fans trade stories of PureVolume pages, burned CDs, and the first time they heard The Room's Too Cold in a car stereo.

Rituals Without the Fuss

Chants are simple call-and-response hooks or count-offs, and the mood stays thoughtful more than rowdy. It is a scene that values kindness, memory, and songs that still fit your voice years later.

How The Early November & Hellogoodbye Shape the Night

The Early November center Ace Enders' warm, slightly grainy midrange, with guitars that switch from chiming clean to gritty crunch on the hook.

Hooks First, Then Color

They often slow a verse by a notch so the chorus blooms, and the rhythm section keeps a steady push without rushing the beat. A lesser-known quirk: the band sometimes plays a half-step down live, which softens older highs and makes group vocals blend easier. Hellogoodbye lean on nimble bass, crisp drums, and synth textures that sit under guitars rather than on top. Forrest Kline will tuck a real vocoder into a few lines, but most of the time he favors clean melodies and close harmonies. They like to rework Here (In Your Arms) with a handclap break and a brief drop in instrumentation, letting the crowd carry the hook before the band slams back in. Lighting tends to be warm washes with a few strobe accents at the chorus, supporting the music instead of chasing spectacle.

If You Like The Early November & Hellogoodbye

Fans of Mae will map the same earnest melodies and dynamic builds, especially when piano and guitar trade the lead.

Kindred Bands, Shared Bonus Tracks

Motion City Soundtrack shares nervy, hooky tempos and dry humor that suits a night split between bounce and heart. Relient K appeals to listeners who like bright chords with bittersweet lyrics, and who care about tight vocal blends. Something Corporate overlaps through early-2000s roots and big, piano-forward choruses that still feel intimate. If you lean heavier but melodic, Anberlin brings the same yearning tone and anthems that climb without going metal.

Where the Venn Diagram Meets the Stage

All of these acts draw crowds that prize singalong hooks, clean yet punchy guitars, and a balance of nostalgia with small new twists. So if those boxes fit your taste, this bill likely clicks for you.