Rels B came up from Palma de Mallorca with a mellow blend of rap and R&B, shaped by homegrown beats and a relaxed, sunlit swing.

From island rooms to big rooms

He moved from DIY uploads to packed rooms across Spain and Latin America, keeping a soft-focus tone even as stages got bigger.

Setlist vibes, faces in the room

Expect a set built on tuneful hooks and conversational flow, with likely anchors like A Mi, Buenos Genes, and Classy. The crowd skews mixed in age, with Spanish speakers and bilingual fans trading lines, couples and friend groups nodding more than jumping, and phones coming out mainly for chorus peaks. Trivia that adds color: he started as a beatmaker before rapping on his own tracks, and he still favors warm keys and airy percussion that leave space for his voice. Another quiet quirk is how he often tags a drop with a quick Flakk ad-lib, a wink back to early mixtape days. Production tends to be clean and low-glare, so the groove leads while subtle lights trace the tempo. Heads up: the song picks and production notes here are best guesses from recent patterns and could shift on the night.

The Rels B Scene: Quiet Flex and Shared Chorus

Expect clean sneakers, light jackets, and low-key streetwear, with hoops and caps next to pastel tops and neatly stacked chains.

Streetwear with island ease

Fans trade lines in Spanish and switch to humming when words blur, then snap back for the catchiest hooks.

Little rituals, big togetherness

Chants hit between songs, often a simple Flakk clap pattern, and lights-up moments land on the softer cuts. Merch leans minimal, often star or script motifs and neutral colors that fit day-to-day wear. You will spot older tour tees and early graphic motifs, a quiet nod to day-one support. People give space when slow jams roll, then drift forward when the kick returns, creating a tide rather than a surge. It feels like a community built on groove and calm confidence, which suits Rels B and his steady, sung flow.

How Rels B Shapes the Room: Musicianship First

Rels B rides the pocket with a low, calm tone, letting consonants land soft so the melody carries the line.

Pocket over pyrotechnics

Live, a drummer, bassist, and keys often rebuild the beats into warmer grooves, with guitar adding flickers on the off-beats.

Small tweaks, big impact

He favors mid-tempo structures where the first verse sits sparse and the second adds harmonies, so choruses feel bigger without yelling. Hooks may drop to half-voice, then bloom when backing singers shadow the top notes. One subtle habit is stretching intros by four bars while the DJ mutes the sub, creating space for the crowd to catch the rhythm before the kick returns. Older trap cuts can show up slower and slightly reharmonized with Rhodes-like keys, turning sharp corners into glide. Lighting usually sketches the groove in washes and strobes that match accents, supporting the sound rather than stealing focus.

Fans of Rels B Might Also Ride With These

If you vibe with Rels B, C. Tangana makes sense for his crooned hooks and polished, guitar-tinted beats that still nod to rap roots.

Nearby sounds on the map

Duki connects through melodic trap cadences and an arena-ready bounce that still leaves room for emotion.

Why these names fit

Feid leans more toward reggaeton, but his smooth mid-tempos and earworm choruses appeal to the same mellow, sing-along crowd. For dancers, Rauw Alejandro pushes glossy synths and crisp drums while keeping romance up front, a lane that crosses with Rels B ballad moments. All four acts prize feel over speed, and they tour with mixes that keep sub-bass warm rather than overwhelming.