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Born out of Albany's DIY basements, Prince Daddy & the Hyena made a name with ragged pop-punk hooks and diaristic emo grit. Expect a fast, cathartic arc that swings from rough yells to tuneful sing-talk, then back to full-band bursts.

From basements to big hooks

A likely run could place I Lost My Life and Shoelaces up front, with I Forgot To Take My Meds Today dropped mid-set for the day-one fans. Crowds skew mixed-age, from college-town punks with stitched jackets to older indie kids nodding by the bar, with many trading earplugs and water between songs. Two small bits of lore: Cosmic Thrill Seekers was structured in three acts as a wink to The Wizard of Oz, and their earliest tours were self-booked through house-show message boards.

Set arc and crowd feel

Guitars are crunchy but melodic, leaving space for Kory's scratchy top-end shout to punch through without losing pitch. You will notice clusters up front shouting every word while folks at the sides take in the dynamics and sway when the quiet parts land. All notes about possible songs and stage feel here come from patterns and hearsay, so take them as a best-guess that may change nightly.

Denim, Doodles, and Group Chords

The scene leans DIY casual: patched denim, beat-up sneakers, beanies, and a few custom screen-printed tees made by local friends.

DIY manners, real care

Up front, the push is lively but watchful, with quick hand signals to scoop up a dropped phone and space opening whenever someone needs air. Between songs, fans trade lyric scraps like inside jokes, then belt the first downbeat together on the count. Merch lines move for simple staples, with black-on-white designs, a hyena motif, and tapes or zines tucked near the cash box.

Little rituals that mark the night

Older heads nod at the Cosmic Thrill Seekers references while newer fans light up when a 2022 cut cues the group shout. Call-and-response moments tend to be unplanned, blooming from a snare count or a guitar pickup squeal, which keeps the room feeling shared rather than staged. After the set, you will hear people comparing house-show stories and noting which songs hit harder live versus on record.

Teeth, Throat, and Throttle

Live, Prince Daddy & the Hyena leans on a tight push-pull: drums drive slightly ahead, while guitars ride a mid-gain crunch that blooms on choruses.

Tone, tempo, and the crash

Kory's voice scrapes at the top, but he shapes lines with quick breaths and short vowels so the pitch stays readable in the room. Arrangements favor big dynamic drops, often cutting to one guitar or bass before the band slams back in on a clean downbeat. A second guitar often uses a capo to sit above the main riff, creating chiming counter-melodies without crowding the vocal.

Small tweaks that pay off

They tend to bump tempos live by a notch, which turns mid-tempo album cuts into brisk shout-alongs without losing groove. You may hear short connective interludes turning two songs into a mini-suite, a habit that keeps tuning breaks invisible and flow intact. Lights are simple color washes and backlights that emphasize the quiet-loud swings rather than distract from them.

Kinship Bands and Shared Rooms

Hot Mulligan fits for the scratchy, mile-a-minute hooks and the way both bands turn anxiety into gang-shouted catharsis. Fans of Mom Jeans gravitate to confessional lyrics wrapped in crunchy, midwest-leaning pop-punk swing.

Nearby sounds, same rooms

Oso Oso overlaps on warm guitar colors and tuneful pacing, appealing to listeners who like their emo with a sunny edge. If you want knotty riffs and playful tempo feints, Origami Angel brings the technical side that still lands as singable fun.

Why these crowds cross paths

Together these acts share small-room energy, shout-along choruses, and crowds that value sincerity over polish.