Jack's Mannequin presale codes

This show frames Andrew McMahon across three phases, with Something Corporate, Jack's Mannequin, and his solo chapter sharing the spotlight.

Three eras, one bench

The hook is a renewed pulse from Something Corporate after years of quiet, folded into one night that traces his path from piano-punk rush to widescreen pop.

Setlist arrows to watch

Expect the set to zigzag by era, with singalongs like I Woke Up in a Car, Punk Rock Princess, Dark Blue, and Cecilia and the Satellite anchoring the arc. Between those anchors, he often slips in patient mid-tempo pieces so the big choruses hit harder. The crowd is a cross-section of early-2000s showgoers, younger fans who found the songs online, and people wearing Dear Jack wristbands who know the story behind the piano. Deep-cut hunters may whisper about Konstantine, which shows up rarely and can stretch near ten minutes on special nights. Another note for context: Jack's Mannequin began as a side project during a Something Corporate pause and later fueled his Dear Jack Foundation work after his 2005 illness. Consider the song picks and staging notes here as informed guesses, not a guarantee for your date.

Andrew McMahon and the Scene Between Songs

You will spot vintage zip-up hoodies from the Warped years next to crisp button-downs, plus denim with old tour patches and clean sneakers.

Old friends, new voices

Many wear Dear Jack bracelets or small piano pins, a quiet nod to the cause behind the mic.

Little rituals that feel earned

Fans often trade stories about first pianos and first shows, and they tend to give space during the ballads without shushing. Group claps hit hard on the last chorus of Dark Blue, and the room carries the la-la refrain from La La Lie even before the band cues it. Merch skews practical and archival, with split-era tees, a clean poster built around three keyboards, and vinyl that marks each chapter. Phones go up for one or two big choruses, but in the quieter pockets you will see people close their eyes and lean into the piano. There is plenty of color, but the mood stays generous and grounded, like a reunion where the stories matter more than volume. It feels like a scene that welcomes new fans without testing them, as long as you show up ready to sing and listen.

Andrew McMahon Plays It Forward: Musicianship First

The voice sits slightly forward in the mix, with clear consonants and a bit of grit that suits older Something Corporate material.

Three pianos, three colors

Piano leads the charge, while guitars add chiming lines and the rhythm section leans on straight-ahead patterns that make the choruses jump.

Hooks built to carry a room

He often reshapes arrangements by dropping the bridge to just piano and voice, then slamming back in for a bigger final hook. Older Something Corporate songs are frequently played a touch slower live, and the guitars may tune a half-step down to keep that warm push without strain. By contrast, the solo-era pop tracks get bright synth layers that sit around the piano rather than over it. Sometimes he nudges a song into a slightly lower key to match his present range, which keeps the top notes honest and strong. Lighting tends to paint eras rather than distract, with warmer ambers for the band-rooted cuts and cool blues or purples for the slicker pop moments. A three-piano layout lets him pivot tone and texture quickly, making the show feel like chapters of one book.

Andrew McMahon's Kindred Road Company

If you love literate piano pop with a live bite, Ben Folds sits nearby on the map, trading clever turns and finger-bouncy grooves. Dashboard Confessional draws a similar confessional crowd, and the acoustic-to-full-band lift mirrors how these songs move onstage. Fans of sturdy, melody-first rock will feel at home with Jimmy Eat World, whose patient builds and air-punch bridges echo the big choruses here. On the modern alt-pop side, The Maine brings a welcoming community vibe and tight, sing-ready hooks that line up with Andrew McMahon's solo cuts. If your tastes lean more adult-pop soul, Gavin DeGraw shares the piano-forward center and crowd-first banter. All of them value sturdy songwriting over flash, and each puts the voice and keys at the front without losing guitar bite. That mix is why fans often float between these bills year to year, chasing songs that feel personal but scale to a room.