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State Champs rose from Albany, NY, sharpening brisk pop-punk built on bright hooks and sprinting drums. This show centers on their 2015 album Around The World And Back, likely played front to back with a short intro to set the tempo.

Passport stamps and power chords

Expect anchors like Secrets, All You Are Is History, and Losing Myself, with the title track wrapping the arc near the end. On stage, Derek DiScanio leads with a clear tenor while Ryan Scott Graham layers close harmonies and Tyler Szalkowski keeps guitars bright and glassy. The crowd skews mixed-age: denim jackets and varsity caps from Warped-era fans stand next to newer faces holding fresh vinyl, and both groups nail the answer-back lines.

Deep-cut details, not just hits

A neat detail: the title track originally featured Ansley Newman of Jule Vera, and the 2017 deluxe added Slow Burn, which could sneak in as an encore nod. Another tidbit: Ryan Scott Graham also records as Speak Low If You Speak Love, shaping the gentler dynamics they sometimes drop mid-set. Take these song choices and production flourishes as informed predictions rather than a locked script.

The State Champs Scene, Up Close

The room feels like a 2015 snapshot refreshed: cuffed beanies, patched denim, varsity-font tees, and art that nods to Around The World And Back. People raise hands for the wordless hooks in Secrets, and you hear clear three-part shouts from pockets across the floor.

Fashion cues and chorus rituals

Between songs, fans swap stories about Warped lineups and first basement shows, then compare limited-press vinyl colors and enamel pins. Merch leans into passport stamps, polaroid touches, and world-map back prints in soft pastels, echoing the travel theme. You will spot homemade banners quoting All You Are Is History, and a gentle circle opens for the faster numbers before closing tight for the title track.

Shared memory, present tense

The tone is friendly and self-aware, more about shared memory than bravado, with plenty of thank-yous tossed back toward State Champs.

How State Champs Make Hooks Hit Hard Live

Live, Derek DiScanio sings with crisp attack and holds notes just long enough for the room to answer, while the band nudges tempos a notch faster than the record. Tyler Szalkowski keeps a bright, lightly driven tone that leaves space for low-end punch, and Ryan Scott Graham uses a pick for sharp outlines on the bass.

Hooks built for speed

Arrangements stay lean: verses are tight, pre-choruses rise with octave lines, and choruses bloom with stacked harmonies that fans can mirror. A subtle live trick is stretching the bridge of Around The World And Back into an acoustic-and-voice pocket, sometimes adding a guest part or soft pad to frame the duet. Evan Ambrosio keeps the snare popping and uses quick cymbal chokes to mark stop-start cues cleanly.

Small tweaks, big lift

Lights favor cool whites on downbeats and warm washes for singalongs, shaping dynamics without pulling focus from the music. They also like to tag extra bars onto the outro of Secrets so the call-and-response can loop once more before the cutoff.

If You Love State Champs, Youll Love These Too

If you ride with State Champs, Neck Deep hits the same rocket tempos and chant-ready choruses. The Story So Far brings a rougher edge from the same circuit, and their sets swing from tuneful sway to quick bursts of push, echoing this energy.

Kindred hooks, different flavors

Knuckle Puck leans on jagged guitars and stop-start bridges that mirror how State Champs punch transitions. Fans who like pop-forward staging and easy banter will click with All Time Low.

Where scenes overlap

And the roots trace back to New Found Glory, whose bounce and call-and-response DNA clearly runs through these songs.