Brett Eldredge started as a Nashville country hitmaker, then leaned into classic crooner mode with his Glow project. These shows pull from Glow and Mr. Christmas, with brassy swing and slow, candlelit ballads. #### From chart country to candlelit croon Expect staples like It's the Most Wonderful Time of the Year, Have Yourself a Merry Little Christmas, and his original Mr. Christmas, plus a reworked country favorite or two. The room tends to mix country fans in boots, jazz heads nodding at the horn voicings, couples on seasonal nights out, and families introducing kids to a big band. #### Small details that tell the story A neat note: much of Glow was tracked live in studio with the band playing together, which is why these charts breathe on stage. Another tidbit: he often uses a vintage-style mic for the ballads and switches to a standard handheld when the tempo jumps. Production usually favors warm strings of lights, snowflake gobos, and tasteful red and gold backdrops rather than heavy LEDs. Heads up: I am inferring the likely setlist and staging from recent shows, and the actual run of the night may shift.

### The glow around Brett Eldredge: scene and culture

The crowd trends dressy-casual for this one: velvet blazers, festive plaids, boots that click on the aisles, and the odd sparkly sweater. You hear gentle sing-alongs on standards and a smiling cheer when the band nails a clean horn break. #### Holiday fit check Fans often chant Mr. Christmas before the encore, and many hold up phone lights only during the quiet carols. Merch skews classy: ornaments, scarves, and vinyl of Glow and Mr. Christmas, plus a show poster styled like a vintage marquee. #### Traditions in the room You will spot Sinatra and Crosby nods on shirts, but also country-era touches like hats from the Bring You Back days. Before downbeat, people take photos by wreath-lit props, and after the last note they talk about which solo stole the night rather than the volume. It feels like a yearly tradition folks return to, giving the room a calm, happy focus on songs over spectacle.

### How Brett Eldredge builds warmth, one chart at a time

Brett Eldredge sings in a relaxed baritone he can darken for ballads or brighten for swing, and he leaves space at line endings so the horns can answer. The band leans on upright bass, brushed snare, and tight sax section voicings, with trumpets adding that crisp pop on choruses. #### Warm baritone, roomy charts Arrangements often start lean, then add layers, so a tune might open with piano and vocal before the brass hits on the second chorus. He slightly slows a final verse of Have Yourself a Merry Little Christmas so the lyric lands, then kicks the tempo back for a tidy tag. On faster numbers, the pianist uses percussive left-hand patterns that keep the groove moving without crowding the drums. #### Little choices, big payoffs A small nerd note: the band sometimes lifts the key a half-step for the last chorus of It's the Most Wonderful Time of the Year, a trick that nudges the room louder without shouting. Visuals favor warm gold washes, soft snow effects, and spotlights that frame soloists rather than pull focus from the music.

### If you like Brett Eldredge, here are kindred acts

If you enjoy smooth holiday swing and full-band polish, Michael Buble sits near Brett Eldredge in tone and band size. #### Big-band cousins A cappella fans who want tight harmony and festive energy may gravitate to Pentatonix, whose winter runs echo the seasonal spirit even without horns. Country listeners who favor deep baritone leads should try Josh Turner, overlapping with the lower register moments Brett Eldredge favors and his easy phrasing. #### Country crossovers For a younger country lane with Christmas detours and a friendly stage manner, Scotty McCreery hits a similar pocket. Buble and Pentatonix share the seasonal standards, while Turner and McCreery mirror the polite crowd rapport and small-town storytelling between songs. All four draw multi generational crowds who prize melody, clarity, and a welcoming show arc.