Between the Buried and Me presale codes

Between the Buried and Me formed in Raleigh, North Carolina, mixing prog metal swerves with hardcore grit and jazz-like detours. Their core lineup of Tommy Rogers, Paul Waggoner, Dustie Waring, Dan Briggs, and Blake Richardson built a sound of long suites, sharp dynamic turns, and clean-to-harsh vocals.

Cartwheels through genres, anchored by craft

Expect a career-spanning set that might thread Selkies: The Endless Obsession, White Walls, and Fix the Error between newer deep cuts and ambient bridges. The room usually splits between close listeners nodding through the odd counts and small surge-pits that flare during the heaviest drops, with most people watching the band like a tight ensemble.

Studio roots, stage instincts

Many albums were cut with producer Jamie King in North Carolina, and live they often reference Colors and Colors II motifs as links between songs. A neat detail is bassist Dan Briggs covering keys on a compact controller while holding down counter-melodies, which frees Tommy Rogers to shift vocal colors fast. To be clear, both the setlist guesses and production details here are informed hunches rather than confirmed plans.

The Scene Around Between the Buried and Me, Up Close

You will see a mix of faded Colors shirts, fresh long-sleeves with intricate line art, and patch vests that nod to tech-metal and classic prog. People tend to face the stage and lock in, then burst into brief pits when a chug riff lands, and the mood resets fast to careful listening.

Quiet study, sudden storms

There is a soft sing-along on the big clean hooks, while many fans air-drum the tom runs from Fix the Error like a shared in-joke. Between songs, you hear quiet debates about time signatures and album eras more than shouty banter.

Art prints, deep cuts, and callbacks

Vinyl variants and screen-printed posters move quick at the table, and older designs reappear like trophies from prior cycles. Friends trade notes on which themes echoed older records, and cheers spike when a motif from Colors II sneaks in. It feels like a community that prizes detail and respect for craft as much as volume.

How Between the Buried and Me Build the Storm, Then Shape the Calm

Between the Buried and Me center the set on Tommy Rogers shifting from searing growls to bright, plainspoken lines, while keys add color more than flash. Paul Waggoner and Dustie Waring trade tight, palm-muted rhythms with lyrical leads, and Dan Briggs glues odd patterns together by phrasing like a second guitarist.

Pulse, space, and release

Blake Richardson drives the band with crisp blasts and quick cymbal chatter, but he also opens the groove when themes return so the melody lands. Guitars commonly drop to a low C range, which lets clean chords shimmer before the band slams the same shapes a step lower for impact.

Suites, cues, and subtle shifts

Live, they often condense intros and extend ambient breaks so songs flow like one long suite rather than isolated tracks. A neat insider move is how short synth cues trigger tempo changes, acting like guideposts while the riffs keep moving. Expect tasteful lighting that follows dynamics more than spectacle, with cool hues during clean passages and stark whites on the heaviest hits.

Why Between the Buried and Me Fans Click With These Acts

Fans of Opeth often line up with Between the Buried and Me because both bands stretch heavy riffs into long narrative peaks and quiet valleys. Haken appeals to the same crowd that loves crisp, mathy grooves and synth-sparked harmonies tucked inside big hooks.

Kindred explorers in heavy music

If you enjoy marathon instrumental passages and virtuosic showpieces, Dream Theater sits in the same lane, though BTBAM tilts darker and more chaotic. On the airier, modern-prog side, The Contortionist shares the patient buildups and clean vocal arcs that soften the weight without dulling it.

Dynamics over constant crush

These artists all prize dynamic storytelling over constant aggression, so the payoffs feel earned. They also draw listeners who like hearing precise parts lock in while the song still breathes. If those qualities hit home, this tour sits in your sweet spot.