All Things Go Music Festival SUNDAY: Lorde, Wet Leg, and more presale codes

From Auckland, Lorde arrived with Pure Heroine, turning diary-sized stories into lean, minimalist pop.

From bedroom pulse to festival roar

She expanded the mood on Melodrama, where bright keys and sharp drums framed late-night heartbreak. With Solar Power, the palette tilted to sunlit acoustics and loose, beach-breeze grooves.

Songs that anchor the night

A Sunday festival set likely leans on big-swells and breathers, with anchors like Green Light, Royals, Team, and Supercut. Crowd-wise you will see thrifted skirts next to vintage team jerseys nodding to the 'Royals' title, plus fans trading homemade zines and disposable-camera snaps. Trivia: the idea for Royals came after seeing a photo of baseball legend George Brett in a Royals jersey, and early Pure Heroine vocals were tracked in a small Auckland room with Joel Little. These notes on the set and staging are inferred from recent runs and could shift on the day.

The Scene Around Lorde: What You Notice Up Close

All Things Go Sunday pulls a thoughtful crowd that dresses for color and comfort, with sun-yellow scarves and hand-painted tees nodding to Solar Power.

Color, paper, and shared voices

You will spot notebooks and tiny zines getting traded near the lawn, plus disposable cameras flashing during the first chorus of Green Light. Chants arrive in pockets: the 'Go!' hits land in time on the breakdown, and the bridge of Ribs becomes a soft, shared sing.

Rituals that travel show to show

Merch choices skew toward clean fonts and earth tones, and vinyl variants go quickly as fans compare pressings from Melodrama and Pure Heroine. People show up for openers with open ears, swapping notes about Wet Leg and comparing favorite deep cuts while waiting for the turn to the headliner. Little rituals pop up, like synchronized claps on Team, or a quiet phone-light glow during Liability. The vibe is engaged and respectful, more about listening and singing along than pushing to the rails, and it suits songs built to breathe.

How Lorde Builds the Room: Music First

Lorde's voice sits chesty and clear, and the band often trims the mix so her phrasing lands like a close conversation.

Voice in front, band in the pocket

Expect live drums to punch on the off-beats while bass and keys leave space, creating a bounce that keeps people moving without crowding the vocal. She favors slow-to-fast arcs, starting songs with lean keys or a single guitar before letting the rhythm slam in on the second verse.

Arcs, drops, and little switches

A festival habit is stretching Supercut with a driving four-on-the-floor outro, then dropping to a piano hush for Liability to reset the mood. You might notice a subtle key change down on a few tracks to suit endurance across a long set, which deepens the low glow of her tone. Guitars lean bright but not sharp, and the snare is tuned for a crisp crack that frames the handclap parts in Green Light. Visuals tend to track the songs rather than distract, using warm washes for Solar Power material and neon edges for the Melodrama cuts.

If You Like This, You Likely Like Lorde

Fans of Billie Eilish often connect with Lorde's low-lit storytelling and percussive hush that still hits hard live.

Nearby sounds, shared hearts

Maggie Rogers makes sense for the crowd too, blending organic drums and cathartic, arms-wide choruses that mirror Lorde's release moments. If you like big, theatrical builds, Florence + The Machine brings a similar rush, though Lorde keeps arrangements tighter and more syncopated. Olivia Rodrigo overlaps on sharp diary-writing and shout-along hooks that still feel personal. All four acts speak to a modern pop space that values clear melodies, tactile drums, and a human voice up front. They also draw crowds that balance teens with longtime fans who grew up on indie radio and now want a polished but emotional set. So if those names sit in your playlists, this Sunday will feel aligned.