Waxahatchee & MJ Lenderman presale codes

Waxahatchee is Katie Crutchfield, an Alabama-born songwriter who shifted from raw indie to earthy country-soul on Saint Cloud and Tigers Blood.

Two voices, one rootsy lane

MJ Lenderman comes from the Asheville scene and plays guitar in Wednesday, bringing slack-country humor and fuzzy hooks. The big storyline now is their shared lane, capped by their duet Right Back to It, which many hope to hear as a mid-set hinge.

Likely songs, likely moments

Expect a grounded set that blends pulse and hush, with likely turns through Lilacs, Can't Do Much, and You Have Bought Yourself a Boat. Crowds skew mixed in age, with zine folks and record-store regulars next to newer fans who found them through public radio and festival clips. Between songs, you will hear quiet conversations about pedal chains and harmony phrasing, and the room tends to listen hard until a chorus lands. Trivia: the project name comes from Alabama's Waxahatchee Creek, and Lenderman cut much of Boat Songs with friends at Drop of Sun in Asheville. One more note: details about songs and production here are inferred from recent tours and could shift at any stop.

The Scene Around Waxahatchee & MJ Lenderman

This scene feels grounded and kind, not hushed but careful with space, and people tend to let quiet moments stay quiet.

Quiet hype, warm welcome

Clothes skew practical with character: worn denim, cord jackets, and cotton totes slung over shoulders. You will spot lyric tees from Saint Cloud and Boat Songs, and a few handmade patches nodding to Tigers Blood.

Little rituals, shared

People sing the big hooks, then fall quiet for the verses, a rhythm that suits these songs. Between sets, folks compare notes on poster art runs and which city got the duet last time. Merch leans tasteful and practical, with riso-print posters, small-run lyric zines, and caps that sell fast. Chants are rare, but there is an easy cheer when the lap steel comes out or when the two singers face each other for a harmony.

How Waxahatchee & MJ Lenderman Sound Onstage

Onstage, Waxahatchee's voice sits clear and forward, with a dry mic mix that lets her consonants pop without sharp edges.

Songs first, gear second

MJ Lenderman answers with a grainy baritone and a slack drawl, and the contrast gives the duets a push-pull that feels lived-in. Arrangements favor simple drum pulses, pocketed bass, and guitars that switch from clean chime to a soft, wooly break-up.

Small shifts, big feeling

They often slow the middle of a set, letting a waltz or half-time groove reset the room before kicking back to a medium tempo. A neat detail: on Right Back to It, the live band leans on a baritone-guitar figure and floor-tom heartbeat, which keeps the melody steady while harmonies float. Waxahatchee will sometimes reharmonize a chorus with a higher third in the harmony stack, which makes familiar lines feel freshly lit. Lights tend to be warm and low, highlighting wood tones and faces rather than spectacle, so your ear stays on the words and the pocket.

Kindred Ears: Waxahatchee & MJ Lenderman

Fans of Angel Olsen will hear the same blend of torchy alto and slow-burn arrangements that bloom without getting glossy.

Kin by tone, not trends

Big Thief devotees overlap for the patient dynamics, fingerpicked patterns, and the way a quiet verse can tilt into a gust.

Where fans might cross paths

If you ride for Wednesday, MJ Lenderman's dry wit and loose-limbed guitars hit the same sweet spot, though this bill leans more country than noise. Folks who follow Jason Isbell often click with the plainspoken storytelling and drum-first grooves that make the choruses stick. Together, these touchpoints suggest a night that favors honest tones, steady pulse, and songs that feel lived-in rather than polished.