Two Feet: The Next Steps Tour presale codes

Two Feet built his sound on bluesy guitar lines over sub-bass and crisp drum loops, rising from bedroom uploads to festival stages.

Late-night blues, club heartbeat

After a public break to address his mental health, his shows now lean darker and more dance-focused, with a compact live trio supporting the hooks.

Songs that tighten the room

Expect a tight run mixing smoky slow-burners with mid-tempo thump, likely anchoring the set around I Feel Like I'm Drowning, Go F* Yourself**, Had Some Drinks, and You?. The crowd skews twenty-something to mid-thirties, a mix of bedroom producers, guitar heads, and date-night pairs who react big to the bass drops. You will see quiet nods during verses and sudden movement when the kick hits, with phones up only for a couple of key choruses. Deep-cut fans trade notes about how many parts he plays live versus stems, and they know he started as a jazz and blues guitarist before producing. A small trivia bit: many early tracks were arranged on headphones at low volume, which helps explain the close, whispery vocal style. Please note that the setlist and production details below are informed guesses based on recent shows, not a guarantee.

Night-owl Crowd, Low-light Mood

The scene leans toward black denim, clean sneakers, oversized hoodies, and a few leather jackets, with subtle jewelry over big statements.

Dark fits, brighter hooks

You will spot producers comparing notes about snare snap and reverb tails, while guitar fans talk tone and sustain between sets.

Shared quiet, loud choruses

Couples sway during verses, then the room pops when the kick returns, almost like a small wave moving front to back. The loudest chant moment is the hook of Go F* Yourself**, delivered as a cheeky call and response that still stays friendly. On I Feel Like I'm Drowning, the room hums the main line in unison, turning the outro into a soft choir. Merch trends skew minimal, with neutral hoodies and caps printed in clean fonts that fit the night-walk mood. It feels like a bridge between a late-2000s bloghouse afterparty and a blues bar, filtered through laptop-era clarity.

Stripped Pulse, Thick Groove

Two Feet sings in a hushed baritone that flips into a light falsetto for hooks, riding just ahead of the kick for tension.

Smoke in the voice, steel in the strings

Arrangements stay spare, letting a fuzzed guitar carry melody while sub-bass and tight hats keep the floor moving.

Small choices, big impact

The touring drummer adds snap to halftime grooves, and the keys player fills the low end so the guitar can cut like a lead singer. He often stretches an intro by a few extra bars live, so the first drop lands heavier after the crowd holds its breath. A lesser-known habit is using a capo high on the neck while the synth handles the low notes, which widens the tone without turning up. Expect a new drum pattern or reharmonized chord in a bridge from time to time, especially on I Feel Like I'm Drowning. Lighting tends to be cool blues and purples with stark silhouettes that match the uncluttered mixes.

Kindred Spirits for Two Feet Fans

Fans of Chet Faker will hear the same smoky vocals and slow-bloom grooves that live between soul and laptop beats.

Kindred downtempo cousins

Bob Moses brings live guitar over steady club rhythms, much like the way this show lifts moody hooks with a four-on-the-floor pulse.

Where the fan bases meet

Glass Animals share the off-kilter melodies and tactile low-end that make mid-tempo songs feel physical without rushing. Milky Chance connects on the acoustic-blues thread meeting electronic drums, drawing a crowd that likes warmth and groove. Put together, these acts favor texture, space, and bass that hugs, which is exactly where Two Feet lands live. If you drift toward intimate vocals over pulsing beats, this bill sits right in your lane.