The Wiz (Touring) presale codes

The Wiz began in 1975 as a Black reimagining of Oz, blending funk, soul, and Broadway storytelling.

A 70s spark, freshly polished

Recent revivals have featured a refreshed book by Amber Ruffin and direction by Schele Williams, keeping the heart while sharpening the comedy.

Soul, funk, and a road of yellow brick

This touring revival brings that sound forward with choreography that sits in the pocket and band parts that punch the groove. Expect cornerstone numbers like Ease on Down the Road, Home, No Bad News, and A Brand New Day (Everybody Rejoice). The room skews multigenerational, with families, longtime theater lovers, and teens trading riffs in the lobby. You might spot emerald jackets, bright sneakers, and handmade pins quoting ease on down as people compare favorite Dorothys. Trivia fans: A Brand New Day was penned by Luther Vandross, and the original Broadway sound leaned on Harold Wheeler's horn-forward orchestrations. Since touring revamps shift by city and creative notes, treat the set and staging details here as informed, current best guesses.

The Wiz Crowd, Style, and Rituals

The scene feels celebratory and rooted, with folks dressing in emerald touches, gold accents, and 70s-inspired fits that nod to the show's era.

Emerald city energy, close to home

Choir-trained claps pop up on vamps, and you will hear soft hums of Ease on Down the Road in the aisles without it turning into a sing-along.

Shared memory, fresh spin

Merch leans classic: retro logo tees, script-inspired fonts, and a few limited pieces that highlight Dorothy, the Wiz, or the Yellow Brick Road motif. Pre-show chatter often trades versions from the 1975 stage to the 1978 film, and quick debates about whose Home sits at the top. Kids compare favorite Scarecrow dances, while older fans point out small orchestration touches they remember from earlier runs. Post-show, the buzz is about vocals and groove rather than spectacle, and people linger to talk band sound and choreography. It is a community-forward crowd that listens hard, cheers the craft, and carries the rhythm out the door.

How The Wiz Sounds Live: Groove Before Glitter

The vocals lean gospel, with open-throated belts that bloom on long notes and quick runs that sit tight in the pocket.

Funk foundation, story first

Arrangements favor rhythm guitar, clavinet-style keys, and a brass punch, so even ballads carry a gentle sway instead of stopping cold.

Small choices, big payoffs

The band often nudges tempos a notch faster on Ease on Down the Road, turning scene changes into a dance break without feeling rushed. Conversely, Home usually starts with spare piano and voice before the harmony widens, letting the final note linger like a held breath. Music directors sometimes lower certain keys a half step for consistency across tours, keeping the lead's belt healthy night after night. Drummers lock kick and bass for a warm, springy thump, and the horns speak in short phrases that leave space for dialogue. Lighting tends to bathe Oz in greens and golds, but the show remains music-first, with vamps and reprises doing the heavy lifting between scenes.

If You Like These, You Will Like The Wiz

If you love groove-heavy storytelling, Hamilton sits close, with hip-hop cadence and a pit band that moves like a rhythm section.

Kindred musicals with a backbeat

The Lion King aligns through Afrocentric textures, call-and-response moments, and bold visual beats that echo The Wiz's roots.

Where groove meets story

Fans of myth retold through modern sound often cross with Hadestown, where brass warmth and blues lines carry the drama. If you chase tight vocals and choreography born from Black music traditions, Aint Too Proud lands nearby. All four shows prize ensemble power and spotlight star turns, which mirrors how The Wiz balances Dorothy's arc with show-stopping character numbers. They each reward audiences who like crisp storytelling that rides the beat rather than floats above it. So if your playlists swing from show tunes to soul and back, The Wiz fits right in.