The Heavyweights brings Cory Henry, Eric Krasno, and Robert Sput Searight into one flexible funk-jazz unit. Cory Henry is a church-raised organist and singer who broke wide with Snarky Puppy and now leads a gospel-soaked groove band.

Church fire, club finesse

Eric Krasno co-founded Soulive and Lettuce, bringing melodic riffs and a songwriter mindset. Robert Sput Searight is a multi-Grammy drummer from Dallas and co-leads Ghost-Note, favoring tight pocket with playful accents.

What might hit the set

Expect familiar anchors like Lingus, NaaNaaNaa, and Be Alright, with a Ghost-Note cut such as Swagism stretched into drum-and-keys vamps. The room tends to split between local players, music students, and groove lifers who watch hands, cheer key changes, and sing harmony tags. A small nerd note, Cory Henry often runs left-hand synth bass on a Minimoog while comping B3, and Robert Sput Searight adds an auxiliary snare for crisp chatter. To be clear, these setlist picks and production touches are my forecast from patterns, not locked plans.

The Cory Henry crowd, in living color

Expect a mix of drummers comparing stick tips, keyboard fans in Hammond shirts, and guitar heads eyeing pedalboards, all friendly and curious.

Style cues with a groove lineage

Fashion runs from vintage soul tees and clean sneakers to sharp jackets, with a few church-suit flourishes nodding at the gospel roots. There is usually a call-and-response moment where Cory Henry splits the room into parts to sing a hook, and people really lean in. Drum features from Robert Sput Searight spark quick chants after the stop-time hits, then it slides back into a deep pocket.

Rituals that bring the room together

Merch trends skew to heavyweight vinyl, embroidered caps, and tour-only posters with bold colors, plus the occasional signed setlist at the table. References fly from 70s fusion and classic organ trios to 90s acid-jazz, and the smiles when a sly reharm lands tell you the crowd listens hard.

How Cory Henry and company shape the sound onstage

Vocals lean warm and churchy, with Cory Henry sliding from chest to airy falsetto, often stacking quick harmonies on keys for lift.

Music first, then the fireworks

Arrangements start simple, then open into sections where Eric Krasno turns clipped chord stabs into singable leads while the rhythm section thins the texture. Robert Sput Searight drives pocket with a dry snare and light cymbal wash, then flips backbeat placement for tension before drops. Tempos are mid to quick, but they like dynamic dips where synth bass carries the floor and the guitar answers like a second singer.

Little choices, big feel

A small inside note, Cory Henry maps an expression pedal to filter the synth bass, so lines feel vocal and swell without getting louder. Lights usually favor warm ambers and deep blues that let you watch hands, while the mix leaves space around the kick, organ, and guitar mids.

If you like Cory Henry, these road neighbors fit

Fans of Snarky Puppy find overlap in virtuosic ensemble play and gospel-meets-fusion harmonies.

Groove families, shared rooms

Lettuce brings harder funk, big horn hooks, and jam length, which aligns with extended grooves here. Cory Wong offers crisp guitar funk and audience call-and-response that mirrors Eric Krasno's pocket-friendly approach.

Adjacent lanes, same pulse

If you like minimalist, danceable lines and communal stage chemistry, Vulfpeck checks that box too. All four acts prize groove first, then sprinkle solos that tell stories instead of speed tests, and their crowds lean musically curious. That shared ethos makes moving between their shows feel natural, even as the tones and tempos shift from glossy to gritty.