#### A decade of west coast funk The holiday run marks ten years of the duo's bass-heavy funk, grown from small Vancouver rooms to big, festive stages. Their sound leans on chunky synth bass, hip-hop hooks, and crisp disco drums that feel both modern and familiar. #### From edits to gifts under the subs Expect a set that sweeps from mid-tempo grooves into house and breaks, with quick blends and playful edits. Likely anchors include Say Something, Turn Down the Silence, and Come My Way, with seasonal flips and a surprise MC or two. The crowd skews local and loyal, with vintage ski jackets, bold sweaters, and dancers who know the drops as well as the DJs. Trivia: they built many show visuals in-house through their Westwood Recordings network, and the earliest Funk The Halls nights were DIY affairs before the production scaled. Consider the song picks and staging notes informed hunches, not promises.

### Holiday Scene Notes with The Funk Hunters

#### Festive threads, shared nods This show feels like a holiday meet-up for the west coast bass community, equal parts dance floor and reunion. You will spot cozy beanies, sequined jackets, thrifted ski wear, and a wave of cheeky sweaters that glow under the lights. Fans clap on off-beats during builds and shout the hooks when the edits drop back to drums, a simple call that keeps the room moving together. Merch lines lean toward limited posters, holiday pins, and soft hoodies that get worn all winter. People trade track IDs between sets and compare favorite edits from past years, a sign that this tradition matters beyond one night. The mood is friendly and grounded, more about shared groove than solo flex, and it sends folks out humming through the cold.

### Groove Mechanics with The Funk Hunters

#### Bass first, song forward The duo builds around strong kick and bass alignment so every drop hits clean without smearing the vocals. They thread samples and guest verses between call-and-response hooks, keeping the crowd focused on the song while the low end does the heavy work. Arrangements favor quick intros, extended middle sections, and short outros that let them jump BPM ranges without losing flow. #### Small tweaks, big lift Expect mid-tempo funk at 100-110, then a push into 124-128 house bounce and the odd 140 break for contrast. Keys and horns arrive as bright stabs rather than long solos, giving the grooves room to breathe while the drums stay punchy. A neat detail: they often debut VIP edits with extra drum breaks or swapped intros, which makes familiar tracks feel new without derailing dancers. Visuals tend to echo the rhythm with bold color blocks and reactive cuts, accenting the music instead of crowding it.

### Kindred Spirits of Groove with The Funk Hunters

#### Kindred grooves you might chase next Fans who love sax-soaked, feel-good bass often cross over with Big Gigantic, whose live drums and horns scratch a similar itch. GRiZ appeals for the same blend of funky melodies and uplifting drops, even when he shifts deeper or more soulful on stage. If you lean toward wonky, elastic basslines and crisp percussion, Opiuo sits in that pocket with colorful, dance-first shows. The duo's party-minded side connects with The Floozies, where thick grooves and cheeky guitar licks meet festival energy. All four acts draw crowds that like hooks you can sing, bass you can feel, and sets that pivot between hip-hop flavors and bright house swing. If those elements land for you here, you will likely feel at home with any of them.