Nine voices, one engine

TWICE came up through Sixteen, blending bright hooks with tight, shared vocals across nine members. Over recent years they have leaned into bolder synth pop and English singles while keeping the cheer energy that first broke them. In big rooms, expect a front-loaded run of hits where the chorus lands fast and clean.

From practice room to arena scale

A likely set anchors around Fancy, Feel Special, The Feels, and I CAN'T STOP ME, with unit stages splitting dance-heavy pieces from softer ballads. You will see families, K-pop multi-fans, and friend groups trading photocards, with lightsticks wrapped in ribbons and handmade pins showing bias pride. Trivia heads note that they previewed Cry For Me live before releasing it, and that some choruses were cut in multiple languages to fit touring markets. They also sometimes shift keys down a notch on sustained songs to keep blend steady during back-to-back nights. Please note: these set and production guesses are based on recent shows and may shift by city.

The TWICE Scene, Up Close

Pink candy glow and inside jokes

The room skews mixed-age, from middle school fans to office crews, and most carry the Candy Bong lightstick with customized straps and decals. Photocard binders come out during downtime, and trades are friendly and fast, with people comparing bias pulls like baseball cards. Outfits lean pastel or varsity, lots of pleated skirts, cropped jackets, pearl hair clips, and sneakers made for dancing along. Crowd moments include the loud name fanchants in choruses, the classic 'shy shy shy' grin during Cheer Up, and a unison 'One in a million' after speeches. Posters and slogan towels show eras and inside lines, while bracelets and phone cases get covered in heart charms and tiny candy beads. It feels like a pop pep rally done by pros, with respect for space, clear singalong cues, and a shared goal of lifting the chorus together.

How TWICE Sounds Onstage

Hooks first, detail later

Live, TWICE puts the melody out front, with stacked unison lines that open into tight harmonies for lift. The rhythm section keeps tempos brisk so choreography hits clean, while guitars and keys color the edges without crowding the vocals. Dahyun and Chaeyoung drive quick rap bridges that reset energy before the last chorus, and the others trade ad-libs rather than big solo runs. On recent tours the band has played a rock-leaning mix of Fancy, swapping glassy synths for crunch to make the beat feel heavier. Ballads arrive as breathers with lighter percussion and long pads, then jump back into double-time dance sections to restart movement. A neat detail: they sometimes drop a song a half-step live, which smooths the blend and helps stamina during chorus repeats. Lighting follows the music pulse with color-block looks and brisk strobes, but the show stays music-first with clear mics and loud, dry drums.

Kindred Sparks for TWICE Fans

Neighboring lanes on the pop highway

Fans of BLACKPINK often vibe with TWICE because both deliver arena-sized choruses and dance breaks that cue loud fanchants. ITZY brings a sharper hip-hop snap and chanty hooks, so people who like TWICE's performance punch usually enjoy their shows too. IVE shares glossy melodies and confident stage pacing, with mid-tempo bops that sit near TWICE's elegant side. If you lean toward breezy, minimalist grooves, NewJeans scratches that itch while landing the same earworm chorus payoff. And for athletic choreography with sleek, modern pop textures, LE SSERAFIM overlaps the crowd that loves clean lines and stamina-focused stages.