Lights is a Canadian singer-producer who blends bright synth lines, guitar bite, and honest lyrics.

From Comics to Pop Power

She came up through Warped-era stages and the Skin&Earth comic-world project, and more recently leaned into punchy alt-pop on PEP and its shadow twin dEd.

What Might Hit the Set

Expect a tight, melody-first set that could swing from the rush of Up We Go to the widescreen pulse of Giants. Fan favorites like Running With the Boys and Prodigal Daughter feel likely, with one or two reworked in a quieter mid-set pocket. The crowd usually skews creative and welcoming, from longtime forum kids to newer pop fans who found her through game streams and collabs. Trivia hits: she often builds show stems in her home studio, and she mapped songs to comic issues during the Skin&Earth era. You might also catch a brief keytar cameo or a vocoder pass on a bridge, a nod to early tours. Treat any set or production mentions here as educated guesses drawn from past tours, not a promise.

Panels, Pins, and Pop: The Lights Scene

The room reads like a pop show built by artists: graphic tees with Skin&Earth prints, neon liner, and weathered denim with enamel pins.

Neon, Panels, and Patch Jackets

You will see custom jackets hand-painted with lyric snippets and a few handmade zines traded near the bar.

Shared Chorus Moments

The loudest singalongs hit the Up We Go hook, with the crowd taking the first refrain while the band drops to half volume. There is a clap pattern that pops up in Running With the Boys, tight and on beat, more joy than noise. Merch tends to favor bold colorways from PEP, plus small-run comic art, beanies, and a keytar nod that longtime fans smile at. People are friendly but focused on the music, keeping phones down during the acoustic pocket and roaring back when the kick returns. It feels like a scene that values craft and community equally, with room for both the paint-splotched tote and the glossy pop playlist kid.

Dials and Heartbeats: Lights at Work

Live, her voice is clear on top and slightly gritty when she pushes the chorus, which makes the hooks land.

Hooks First, Then Glow

The band keeps the kick tight and sidechain-style, so the synth pads breathe and leave room for the vocal.

Small Tweaks, Big Payoff

Guitars add teeth on the edges of the mix, while two keyboards split duties between bass synth and glittery leads. She often opens Up We Go with a short keys-only intro before snapping to the studio tempo, turning the first drop into a cheer moment. A mid-set reset usually swaps to an acoustic or Midnight Machines-style take, letting songs like Running With the Boys feel more story-forward. On Prodigal Daughter, listen for a four-on-the-floor pulse replacing the album's swing, which tightens the dance feel. Visuals tend to be bold color blocks and comic panels, serving the songs without stealing the ear.

Kindred Glow: Where Lights Fans Cross Paths

If you ride for Lights, you will likely connect with Carly Rae Jepsen for the crisp pop craft and live warmth.

Kindred Hooks and Synth Glow

Fans of CHVRCHES will hear similar synth shimmer and big choruses, though Lights leans a touch more guitar at times.

Where Scenes Overlap

Tove Lo overlaps on darker, club-ready textures and candid writing, which show up when the drums hit harder. For left-field pop with bold visuals and DIY streak, Allie X draws a similar crowd of detail-obsessed listeners. All four acts balance polish with personality, so you get hooks without losing the human edges. If those names live on your playlists, this show should sit right beside them.