Last Dinosaurs are a Brisbane guitar-pop band led by brothers Sean and Lachlan Caskey with bassist Michael Sloane. They built a nimble, bright sound that nods to Japanese city pop and mid-2000s indie clubs. This run marks ten years of Wellness, so expect the record to be the spine of the night or even played in order.

A decade of groove, track by track

Likely picks include Evie, Apollo, and Wurl, with Zoom as a grin-inducing encore for the day-one fans. Crowds skew mixed in age, from early gig-goers to people who found the band on Triple J, and the vibe trends upbeat but polite. You will hear tight claps on downbeats and see friends trading quick notes about guitar pedals between songs.

Setlist hints and fan energy

Trivia heads might note the band gigged in Japan early on, and that many demos began in Sean's bedroom before being sharpened in the studio. They also like to link songs without long banter, which keeps the dance pulse alive. Note: the likely setlist and staging mentions here are educated guesses based on recent shows and album focus, not confirmed plans.

The Last Dinosaurs Crowd, Up Close

The crowd for Last Dinosaurs tends to dress light and movable, think retro runners, airy shirts, and a splash of color. You will hear pockets of fans counting in claps before drops and a cheer when the first Wellness riff lands.

Indie disco manners

Between songs, people trade tour stories, compare cities, and point out favorite guitar flourishes like they are swapping recipes. Merch leans toward pastel tees and tour posters that mirror the Wellness palette, with a few deep-cut designs nodding to In a Million Years. Phones come out for the big choruses, but you also spot film cameras and camcorders for a softer look.

Souvenirs and small rituals

It feels like a friendly club of rhythm chasers where newcomers get pulled into the chant by the second chorus. By the encore, you can see fans trading setlist paper and sketching post-show playlists before heading out.

How Last Dinosaurs Build the Lift

Last Dinosaurs center the show on Sean Caskey's light tenor, which sits above glassy guitars and a rubbery bass. Songs start crisp and tight, then open into dance-focused stretches where the drummer drives a steady pulse.

Clean tones, crisp moves

Live, the guitars favor clean tones with a touch of chorus and short echo, making riffs bounce without getting harsh. They often trim intros to hit the hook sooner, a choice that keeps energy high without rushing the groove. A subtle trick is the use of capos to keep familiar riff shapes while shifting keys for vocal comfort later in the set. Evie sometimes runs a notch faster on stage, and Apollo gets an extended coda where the band locks into a bright, repeating figure.

Hooks first, then lift

Lighting tends to paint in pastel washes for verses and sharper flashes for choruses, supporting the beat rather than stealing focus.

Kindred Spirits for Last Dinosaurs

Fans of Two Door Cinema Club will feel at home with the springy guitar lines and brisk tempos. If you enjoy the sleek polish and disco-leaning grooves of Phoenix, the clean hooks and silky falsetto moments will land.

If you like these, you will like this

Bombay Bicycle Club overlaps on bright chord voicings and a light, kinetic rhythm section that never drags. The Jungle Giants connect through Australian indie-dance roots and a crowd that likes to move without moshing. All four acts favor tight arrangements, glossy but tactile tones, and choruses designed for a full-room sing.

Shared tempos, shared sparkle

If those bands sit in your rotation, Last Dinosaurs should click on first chorus.