Conan Gray came up from YouTube and a small Texas town, turning bedroom confessions into chart-ready pop.

Bedroom confessions go widescreen

With the Found Heaven era, he leans into bright synths and bigger drums while keeping the journal-style writing that fans came for. Expect a set that balances new sheen with slow-burn staples like Heather, punchy bops like Maniac, and crowd bursts on Wish You Were Sober, with a fresh dance cut like Lonely Dancers.

Fans who sing and notice the details

The crowd skews mixed, from day-one subscribers and college kids to pop omnivores, with lots of handmade signs and soft-color fits that nod to the artwork. Deep-cut note: early track Idle Town was built in GarageBand on a cheap USB mic, and he briefly studied at UCLA before jumping full-time into music. Many studio moments on Kid Krow took shape with producer Dan Nigro, which informs how the live band frames his melodies. Heads-up: I'm making an educated guess on songs and staging here, and the actual show can shift from night to night.

Signs, Soft Colors, Big Choruses

The scene leans pastel and playful, with ribboned hair, heart patches on denim, and a few angel-wing graphics nodding to the new era.

Chants you can hear from the hallway

You will hear full-room singalongs on Heather, a cheeky call-and-response during Maniac, and a big jump on the first downbeat of Wish You Were Sober.

Merch and moments that feel personal

Fans bring neat handmade signs and disposable cameras, and the pit swaps tips on favorite lyrics rather than gear. Merch trends toward soft tees with line-drawn art, a clean-font tote, and a cap you could wear the next day without shouting fandom. People tend to hush for the first verse of a ballad, then surge into the chorus like they have been waiting all week to say it. It feels like a group diary come to life, where small details matter and the big feelings get the loudest cheer.

Hooks First, Then Fireworks

Live, Conan Gray sings in a light tenor that flips to a clean falsetto, and the band leaves space so his vowels carry.

Arrangements with air and lift

Drums lock to clicky, 80s-leaning grooves while bass and keys build a warm cushion under crisp, chorus-forward guitar lines. Uptempo tracks tend to start tight and dry, then open into wide stereo synths by the second chorus, which makes the room feel bigger without drowning his voice.

Simple moves, strong payoff

Ballads usually stay close to the bone, with acoustic or piano starting the verse before a late swell adds floor toms and airy pads. He often stretches a bridge to let the crowd sing a hook back, and on a high chorus he may nudge the key down a step to keep the tone easy and honest. Lighting follows the music first, punching accents on snare hits and lifting during refrains, so the focus stays on melody rather than props.

If You Like These, Youll Feel Right At Home

Fans of Olivia Rodrigo will click with the diaristic lyrics and sharp pop hooks that swing from soft to shout-along.

Kindred spirits across pop

Troye Sivan shares the sleek synth pulse and a celebratory, queer-pop edge that turns rooms into dance floors. If you like the pastel melancholy and clean melodies of Lauv, this show lands in that same heart-on-sleeve zone.

Story-first songwriters

The intimate storytelling of Gracie Abrams lines up with the quiet verses before the big choruses hit. All four acts draw young but musically curious crowds who care about words as much as beats, which shapes a patient, sing-first energy. The overlap is less about genre boxes and more about how these artists let a private thought bloom into a giant chorus.