STS9 presale codes

STS9 evolved from Atlanta roots to a West Coast base, and their story now centers on the change from David Murphy to Alana Rocklin and the community’s remembrance after Murphy’s passing in 2020. Their Human Dream phase favors sleek synths and patient builds, so look for anchors like Inspire Strikes Back, Aimlessly, Golden Gate, or Hidden Hand, Hidden Fist.

Roots in rhythm and circuits

The band runs 1320 Records and has long used custom Ableton rigs where guitar and percussion can nudge the synths live. A deep-cut note: Hunter Brown has toured with a MIDI pickup, letting his guitar fire off keyboard tones while keeping the string feel.

Who you will see on the floor

Expect a mixed-age crowd where producers, drummers, and coders compare patch ideas as much as dance steps. You might notice pin traders swapping 1320 designs and a knowing nod when an older tune gets an 'Axe the Cables' style intro. Note: songs and staging mentioned here are reasoned projections from recent shows rather than a locked plan.

The STS9 Scene, Up Close

This crowd treats the room like a listening lab and a dance floor at once.

Styles on the rail

You will see techwear next to tie-dye, well-worn sneakers, and a healthy run of custom 1320 pins on jackets and bags. Posters with foil accents tend to move fast, and patch artists often trade limited runs before the lights drop.

Rituals before and after

Between songs, a clipped chant of "Nine, nine" can ripple from the rail, and you may spot notebooks where fans track setlist themes by color. Tape-friendly roots remain, so people trade recordings and compare mixes after the show. Charity drives and sustainability tables are common, which fits the community-first tone that has followed the band for years.

How STS9 Builds the Night

STS9 keeps vocals minimal, so the story is told by drums, bass, guitar, keys, and hand percussion shaping peaks and valleys.

Rhythm engine first

Zach Velmer drives the kit with crisp hi-hat patterns while Jeffree Lerner adds congas and electronic hits that make the beat feel wider. Alana Rocklin locks a warm, round bass tone that anchors long builds without crowding the kick.

Synth colors and rearranges

David Phipps layers pads and leads that cue transitions, often using a bright filter sweep as a silent count-in. Hunter Brown favors delay and octave effects, and he sometimes uses a MIDI pickup so the guitar can double a synth line for extra lift. Expect tempo flips where a groove drops into half-time then snaps back, plus reworked intros that turn familiar tunes into slow-bloom openers.

If You Like STS9, Here’s Your Map

Fans of Lotus often click with STS9 because both ride melody-forward jams at danceable tempos. The Disco Biscuits offer trance-fusion segues and long-form builds that mirror how STS9 stretches a motif over a full set.

Adjacent grooves, shared rooms

Papadosio leans organic and exploratory, appealing to listeners who want earthy textures in their electronic blend. Pretty Lights shares cinematic drops and lighting that treats the stage like a canvas, which aligns with how STS9 shapes mood through color and pace.

Why these acts line up

If your sweet spot is layered synths, syncopated drums, and a patient arc, Tycho scratches the downtempo, immersive side that often shows up in STS9’s quieter passages. Together, these artists meet where groove, texture, and live improvisation overlap.