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Horns and Heart: Chicago Rewired leads a classic-rock double bill
Chicago Rewired is a seasoned tribute to Chicago, built on tight horns, bright keys, and soulful pop-rock hooks. Sharing the night, REO Survivor & Co brings the arena side of REO Speedwagon and Survivor, leaning into big choruses and guitar sheen.
Brass Spark, Arena Shine
Expect a split set that hits 25 or 6 to 4, Saturday in the Park, Keep On Loving You, and Roll With the Changes without rushing the moments. The room tends to mix horn-section superfans, classic-rock couples on a night out, and younger players clocking arrangements for their own bands.Set Gems and Deep-Nerd Notes
One neat note is that early Chicago performed as Chicago Transit Authority, and the single edit of Does Anybody Really Know What Time It Is? chopped off Robert Lamm's jazzy intro. On the other side, REO Speedwagon took its name from the REO Speed Wagon fire truck, a detail many only learn at shows when the emcee mentions it. For transparency, everything here about songs and staging is a best guess drawn from prior dates rather than a firm promise.The Chicago Rewired scene, up close
The scene leans friendly and curious, with folks comparing favorite horn lines while others trade memories of first hearing these songs in cars and gymnasiums. You will spot satin jackets, script-logo tees, denim vests with patches, and a few marching-band hoodies near the rail nodding on the offbeats.
Sing, sway, and clap on two and four
When If You Leave Me Now or Can't Fight This Feeling lands, couples sway and friends link arms, and then the room flips to fist-high clapping on the choruses. The biggest shout-along tends to be the "keep on rollin" tag in Roll With the Changes, and some people answer the siren swell on Ridin' the Storm Out with a cheer. Merch tables favor clean, era-true fonts and neutral colors, plus the occasional poster that mirrors vintage tour lithos without copying them outright.Shared memory, present-tense joy
Between sets you hear gear talk about horn mics and chorus pedals, but also kind words about how these songs invite everyone in rather than gatekeep. It feels like a night built on shared reference points, where precise playing and familiar melodies are the handshake.Chicago Rewired on stage, gears that make it go
Vocals aim for Cetera-like clarity on the Chicago cuts and a warmer, slightly nasal edge for the REO Speedwagon leads. The horn section carries the hooks with tight mutes and bright unison lines while the guitar stays clean until the bridge, then pushes into sustained bends.
Parts that lock in
Keys fill the midrange with quick piano stabs on the funkier tunes and smooth pads on the ballads so the voices can sit on top without strain. Tempos tend to ride a touch under the studio versions, which gives the harmonies time to bloom and keeps the endings crisp. A small but telling choice is that some bands drop a half-step for the REO sing-alongs, letting the tenors lock the high notes while the horns still read familiar shapes.Respectful tweaks, clear focus
You may also hear medley moments from the Ballet for a Girl in Buchannon suite condensed into a tight showcase, a respectful nod to the long-form roots without losing pace. Lighting usually supports the music with warm ambers for brass features and cool blues for late-set power songs, never overshadowing the parts that matter.Why Chicago Rewired fans may roam
Fans of Chicago will feel at home with Styx, whose polished harmonies and keyboard-forward rock live in the same late-70s lane. REO Speedwagon listeners often cross over to Foreigner for the mix of hard-driving riffs and slow-dance power ballads.