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Funk Bros Meet Subway Brass - The Floozies
Kansas brothers The Floozies built their name on crunchy guitar riffs, talkbox hooks, and live drums riding dance tempos.
Basement funk meets subway brass
New York trio Too Many Zooz came up busking in subway stations, turning brass into club energy with baritone sax, trumpet, and relentless percussion. Their pairing feels natural: sample-savvy electro-funk locking with horn lines that punch like a synth lead.What might they play
Expect a crossfire of fan staples like Granola Jones, Sunroof Cadillac, Warriors, and Car Alarm, with room for medley moments and extended solos. The room skews mixed in age and scene, from b-boys and hoopers to jazz kids and festival lifers, all moving but listening hard for pocket. The Floozies started by self-releasing from a small Lawrence setup and still run a hybrid drum rig, while Too Many Zooz popularized the term 'brasshouse' for their high-BPM, drum-led horn attack. You may catch quick gear switches like talkbox to clean vocal mic between drops, or a baritone sax doubling the bass line to thicken the groove. Note that any talk of songs or production flourishes here draws on patterns from recent shows and could shift on the night.Brasshouse Block Party, Funk Family Reunion
Expect bright thrifted windbreakers, vintage sports caps, and comfortable sneakers built for real dancing.
Little rituals, big community
Horns show up not just on stage but on jackets, pins, and tote designs, and you will hear the crowd answer quick horn-call claps on the twos and fours. Between songs, chants pop up fast and die fast, like a tight 'Zooz!' bark after a baritone feature or a drawn-out 'Floo-zieees' when the talkbox hits. Merch leans neon and retro-funk, with poster art celebrating brass silhouettes, drum patterns, and cheeky song references.Shared groove etiquette
People trade stickers, compare playlists, and swap stories about past sets, treating the night like a meetup for groove-focused friends. It feels welcoming and DIY-minded, less about dress codes and more about shared rhythm and stamina. By the encore, the room usually moves as one, with pockets of hoops or flow toys keeping to the sides so feet can work up front.Horns, Loops, and the Pocket: The Floozies x Too Many Zooz
The Floozies lean on sturdy backbeat drumming and guitar tones that shift from wah-funk to fuzz, with talkbox lines acting like a lead singer. Too Many Zooz drive momentum by stacking short horn motifs over a marching, almost techno-like pulse, then dropping to handclap space before roaring back.
Arrangements that breathe and hit
Expect brisk tempos but clear structure: intro riff, pocket, breakdown, then a bigger return so dancers can reset without losing energy. The Zooz baritone sometimes runs through an octave pedal to fake a synth-bass floor, while the trumpet stabs slice the mix so the drums can stay fat rather than loud.Small choices, big impact
The Floozies often bump a tune a few BPM faster live and stretch bridges so the drummer can play slightly behind the beat, giving drops more snap. Lighting tends to match the music cues with quick color flips on hits and warmer washes during solos, supporting the groove without pulling focus.Kinfolk of the Groove: The Floozies and Too Many Zooz
Fans of Big Gigantic will gravitate to the dance-first sax-and-drums engine and the way drops land without losing live feel.