SAN HOLO WHOLESOME RIDDIM CHAPTER TWO presale codes

The Dutch producer and guitarist grew from future-bass roots into indie-leaning electronic songs that keep melody front and center.

Bedroom beats to guitar-laced drops

This Chapter Two push leans into the wholesome riddim idea, pairing weighty low end with soft, hopeful top lines and live guitar phrases.

Songs you might hear, people you will meet

Expect a set that balances breathy intros with patient drops, likely pulling anchors like Light, We Rise, All The Highs, and lift me from the ground. You will see a mix of bitbird day-ones, melodic bass listeners, and curious indie fans, with couples and friend groups swaying, then jumping when the kicks hit. A neat note from the early arc is that We Rise on Monstercat opened global doors, while a playful flip of The Next Episode went viral even earlier. He co-founded bitbird to spotlight friends' music, and he keeps a guitar at center stage to show where the melodies start. Consider these potential songs and production flourishes informed by recent patterns, not a locked plan.

Scene, Customs, and the San Holo Crowd

You will notice soft streetwear in pastels, bitbird tees, and small bird logos stitched on caps and totes.

Pastel birds and quiet flex

Fans trade handmade bracelets that say stay vibrant and compare enamel pins from older runs. During quiet builds people hush on their own, and the common chant between songs is a simple stay vibrant call-and-response.

Moments that feel communal

Phones pop up for the first hit of the chorus in Light, then many pockets the screens again for the comedown. Merch leans cozy, with embroidered crewnecks and low-key color blocks that match the visuals. You will hear Monstercat-era stories from veterans next to newer fans who found him through All The Highs on playlists. The mood reads kind and patient, more about sharing air and singing together than pushing to the rail.

Musicianship and Live Production, Music First

Vocals sit soft and airy, often layered with light harmonies that leave space for the lead synths.

Hooks that breathe, drops that land

Arrangements favor half-time grooves, where big kicks breathe around pads while the guitar sketches clear top lines. He builds tension by muting drums for a bar or two, letting a single guitar chord ring before the bass returns.

Studio habits brought onstage

A frequent live trick is routing the guitar through sidechain compression so it pulses with the kick, gluing riffs to the drop. Keys and backing stems carry thick chords, leaving the lead hook to bend and bloom rather than shout. On roots cuts like Light, he sometimes opens with a slower, re-harmonized intro, then snaps back to the original pace for the first drop. Visuals lean on clean gradients and restrained strobes that outline the beat without smearing the mix.

If You Like San Holo, You Might Click With These

Fans of Porter Robinson will connect with tender vocals and bright, hopeful synth palettes.

Melodic cousins on the road

Illenium suits those who want emotional swells and big singalong drops, even if the drums hit harder. Dabin brings a guitar-forward flow and calm-to-lift pacing that feels familiar here.

Why these names fit

Madeon overlaps in colorful sound design and careful, story-like pacing. If you lean into piano-led catharsis, Said The Sky shares the same gentle-to-grand dynamic. Across these artists the link is clear: melody drives the impact, and the drops serve the feeling.