The Brisbane-born band built a sleek blend of indie rock and dance pulse, led by brothers Sean and Lachlan Caskey.

Ten years of Wellness, still lean and bright.

This run centers on Wellness turning ten, a chance to revisit the era that pulled their guitar pop into neon, tight grooves. Expect a focus on the album front to back, with likely stops at Wurl, Evie, Apollo, and Karma.

Songs you can bank on.

The room skews mixed and friendly, from early fans who found them on 2010s playlists to newer listeners chasing clean, upbeat guitars. You will spot people mouthing guitar hooks as much as lyrics, and pockets of dancers testing footwork during the crisp four-on-the-floor moments. A neat quirk: the brothers often trade lead vocal lines mid-song, and the live bassist pumps a subtle chorus effect to widen the low end. Another tidbit: the band keeps a compact setup, using a small pad to fire those bell-like keys without cluttering the stage. Take this as an informed guess: the songs and staging noted above may shift by city and night.

Last Dinosaurs Scene: Stylish, Tuneful, Polite Energy

The crowd tends to dress light and bright: color-block windbreakers, breezy button-ups, vintage sneakers, and a few bucket hats.

Indie-dance time capsule, updated.

People clap the snare on twos and fours during the builds, and small groups practice the riff to the next song under their breath.

Little rituals that stick.

You will hear quick call-and-response shouts on the first chorus drops, then happy chatter during tune-ups as friends compare favorite deep cuts. Merch leans into Wellness nostalgia with pastel grid art, a tracklist tee, and likely a limited-color vinyl to mark the decade. The vibe resembles a mid-2010s indie night out, but with a calmer confidence that comes from a band and fans who have grown up together. It feels welcoming for new faces while still rewarding long-timers who remember the first burst of blogs and radio play.

Last Dinosaurs Onstage: How The Songs Breathe

The vocals sit light on top, often flipping to falsetto for lift, while the guitars interlock like gears rather than compete.

Guitars like sequencers.

Arrangements favor clean tones, short delays, and percussive strumming that makes the riffs feel almost like a rhythm section. The drummer keeps a crisp hi-hat and tight kick pattern, letting bass carry melody in short runs that push songs forward.

Groove that snaps and glides.

Live, they sometimes bump tempos a notch so choruses feel springy, then drop bridges to half-time for contrast before a quick snap back. One neat detail: the two guitars often play complementary shapes high on the neck, panned left and right, to mimic a sequenced sparkle without losing the band feel. Lights track the grooves with color blocks and strobes on downbeats, but the music stays the point, not the rig.

If You Like Last Dinosaurs, Start Here

Fans of Two Door Cinema Club will feel at home with the bright, clipped guitars riding danceable drums.

Kindred guitar sparkle.

Phoenix matches the glossy, tight-knit arrangements and air-light vocals that still punch on choruses.

Dance floor, not dance music.

If you like intricate yet catchy guitar interplay, Bombay Bicycle Club hits a similar nerve, favoring nimble lines over heavy crunch. From the same Australian indie-dance corridor, The Jungle Giants share a taste for propulsive bass and playful hooks. These acts gather crowds who prefer melody and groove to volume, and who enjoy sets that move with a DJ's sense of pacing even when nothing is electronic. If those names sit in your rotation, this show is a natural fit.