LANY formed in Nashville and grew in Los Angeles, mixing soft-synth glow, clean guitar lines, and straight-to-the-point love songs.

From bedroom takes to big rooms

The big recent shift is that Les Priest left in 2022, leaving Paul Klein and Jake Goss to carry the project as a duo, which has nudged the sound toward leaner, drummer-and-keys arrangements. Expect a sleek arc that moves from pulse-heavy openers into piano-led confessions. Likely anchors include ILYSB, Malibu Nights, Thru These Tears, and Super Far.

Hooky highs, late-night lows

Crowds skew diverse in age, with friend groups trading verses, couples mouthing choruses, and a noticeable number of first-timers who learned the hooks online. You will spot pastel streetwear, varsity-style jackets, handmade signs, and a surprising number of disposable cameras. Early on, the band cut songs in a small bedroom on a near-stock laptop, and Jake Goss still blends electronic pads with acoustic drums to mirror those origins. Heads up: any setlist picks and production details here are inferred from recent runs and may change show to show.

The LANY crowd: soft neon meets diary-core

The scene feels welcoming and focused on songs, with friends trading favorite lines while the band eases into the first downbeat.

Pastel streetwear, earnest energy

Outfits lean pastel and minimal, plus vintage denim, white sneakers, and the odd leather jacket over a simple tee. During Malibu Nights, phones flip to flashlight white, and you can hear pockets of harmony from fans who know every note. The loudest chant tends to be the ILYSB hook, which the room shouts as a friendly call-and-response before the band kicks in.

Shared moments over spectacle

Merch on backs usually means block-letter hoodies, clean caps, and city-specific tees that look good outside the show. You will spot beaded bracelets with song titles, disposable cameras, and small signs traded to the barricade. Between songs, Paul Klein talks just enough to frame the mood, then lets the next cue start, keeping the room in a shared hush. It is a culture built on feelings first and volume second, and most people leave talking about specific lines rather than pyrotechnics.

LANY onstage: melody first, shine second

Paul Klein sings in a warm, breathy tenor, and the band leaves space so his phrasing sits right on top of the beat.

Clean lines, warm textures

Guitars are bright and chorus-kissed, while keys handle the low glow, so the mix stays clear even when the drums lift. Jake Goss drives with a tight kick and roomy snare, often adding soft electronic pads to thicken the pulse without getting louder. Live, LANY tends to shave verses down to the essentials, then let bridges open up with longer chords and open hi-hats.

Small tweaks, big feelings

A neat detail is how the group extends the intro of ILYSB so the crowd can take the hook before the first verse. They sometimes switch Super Far into a four-on-the-floor groove for a minute, then drop everything to keys to make the chorus hit again. Piano songs like Malibu Nights arrive close to the studio version, but the first chorus often stays restrained to set up a bigger last run. Lighting tracks the sound rather than the other way around, favoring color washes and slow strobes that mark dynamic shifts.

If you like LANY, adjacent artists to catch

Fans of LANY often also lock in with The 1975, who balance glossy pop sheen with guitar-driven turns and a taste for 80s textures.

Polished melancholy, neon edges

COIN brings bright indie pop and nimble tempos that create the same light-on-your-feet sway you get from a LANY chorus. The Band CAMINO appeals to those who want bigger guitars with their feelings, trading in booming choruses and clean, modern production. Lauv hits the diaristic lane too, with smooth vocals and synth beds that feel intimate yet arena-sized.

Adjacent scenes, shared singalongs

All four acts value crisp hooks, roomy drums, and crowd-led refrains that turn sings into the show. If your favorite LANY moments are the wistful mid-tempo tracks, Lauv and COIN will feel close. If you live for the punchy, guitar-forward cuts, The Band CAMINO and The 1975 line up well.