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On Good Terms with Good Terms
This LA-bred band blends pop-punk hooks with emo heart and a dash of mathy guitar sparkle. They write and record with a DIY mindset, which keeps the songs lean and personal. Expect a set that moves fast, pairing tight drums with call-and-answer guitar lines and stacked harmonies.
Hooky roots, DIY polish
Likely picks include Turning Point, Lightly Used, Back to You, and Homebody, with quick transitions and one playful bridge fake-out. The room usually feels mixed in age and style, from local scene lifers to newer fans who found them through clips and playlists, all keyed in on the choruses. Fun note: early demos were cut in a small apartment, and a few of those original guitar takes reportedly made the final releases. They also like to tag a few bars of a mid-2000s pop-punk riff into an outro when the crowd is loud enough.One prudent caveat
Tonight's set choices and any production cues are inferred from recent chatter and could shift once the lights hit.Scene Notes: The Good Terms Crowd
The crowd skews casual but curious, mixing thrifted band tees, clean sneakers, and a few homemade patches pinned to jackets. You will hear quick count-off claps and short call-and-response lines on big choruses, more cheer than mosh. Merch tends to favor simple designs with lyric fragments and small-run screen prints; zines or cassette drops pop up at some dates. People swap song-meaning theories between sets and compare favorite bridge moments like they are trading baseball cards.
Little rituals, low stress
Phones come out for the hook, then drop fast so clapping hits on the downbeat. After the show, a friendly line forms for a signature or a photo, but the vibe stays neighborly and quick. You will notice a few folks photographing pedalboards and setlists with care, a sign that gear heads and first-timers share the room.Style cues, shared focus
It feels like a small community night where the songs do the heavy lifting and the fashion sits in the background.Tight Turns: Musicianship Behind Good Terms
Vocals sit slightly forward, with doubled choruses that thicken without smearing the words. Guitars trade between crunchy downstrokes and small, picked figures that mirror the vocal rhythm, keeping the hooks anchored. Bass often locks to the kick on verses, then opens into higher runs during bridges to lift the energy. They like starting songs a notch under studio tempo, then pushing the last chorus a hair faster so it feels like it takes flight.
Small choices, big lift
One under-the-radar habit is tuning guitars down a half-step live, which warms the tone and gives the singer a bit more room on high notes. Drums use crisp rim clicks and ghost notes in quiet sections, exploding into wide-open choruses that the lighting reinforces with simple color washes. When the arrangement breathes, you may hear a stripped middle eight where the band drops to just voice and guitar before slamming back in.Built for singalongs, not spectacle
The focus stays on the songs, with visuals supporting the beat while the players keep the edges tight.Kindred Chords: If You Like Good Terms
Fans of Hot Mulligan will connect with the nasal-leaning melodies, brisk tempos, and cathartic shout-alongs. Origami Angel is a fit for those who like bright chords spun into nimble, math-curious riffs.