Dillstradamus: (Dillon Francis B2B Flosstradamus) presale codes

Dillstradamus is the long-running back-to-back of Dillon Francis and Flosstradamus, built on moombahton swing and trap thunder. A key update: Flosstradamus is now Curt Cameruci solo after Josh Young's exit, which gives the project a leaner, more DJ-first approach.

Two genres, one racket

Expect quick pivots between 110 BPM moombah and halftime drops, with edits that flip pop hooks into bass hits. Likely anchors include IDGAFOS, Get Low, Mosh Pit, and Soundclash, mixed with cheeky meme samples and sirens. The crowd skews from day-one HDYNation loyalists in camo to younger bass fans who found moombah through TikTok flips, all moving in tight pockets near the rail and back bar. Trivia bite: Dillon Francis first recast Masta Blasta from a house idea into moombahton, and Flosstradamus helped normalize trap edits on big-room festival stages early on.

Deep-cut nods in a party set

You might catch a Chicago footwork wink or a dancehall acapella ride-out as connective tissue between eras. Please note, the songs and staging mentioned here are educated guesses based on recent sets and past patterns, not a confirmed plan.

Camo threads, hazard vibes, and HDY pride

You will see HDYNation camo, hazard-stripe graphics, and throwback jerseys next to neon-rimmed sunglasses and bucket hats. Fans chant HDY and count down together before big drops, then open space for quick push-pull dancing more than full-on pits.

Camo, caution, and community

Merch leans bold and practical: camo hoodies, coach jackets, and caps that nod to the 2013 trap wave without feeling stuck there. Old-school heads trade stories about early SoundCloud edits while younger fans swap IDs they caught on TikTok. Between songs, you hear friendly name-checks for cities and DJs, keeping the culture conversational rather than posturing.

Little rituals, big grins

People hold up H and Y hand signs during classics, and crews arrive in matching tees that make it easy to regroup after a drop. The overall tone is playful and welcoming, with a nod to pranks and humor that have long been part of Dillon Francis lore and HDYNation's DIY spirit.

Cut-ups, call-outs, and clean drops

Vocals are mostly hooks, shouts, and rap verses threaded in as texture, letting the drops carry the weight. Arrangements tend to be tight, with 16-bar teases that cut early into the next idea to keep the floor in motion.

From swing to slam

Expect a glide from moombah bounce into half-time trap, where the drums feel slower but the energy jumps. The duo favors chunky kick and snare shapes so the subs stay clean, while quick filter sweeps glue transitions. A lesser-known move: Francis often echo-outs the last beat to jump tempos cleanly, and Cameruci will ride acapellas over instrumentals for a fresh hybrid.

Edits that punch above their weight

You may hear brass stabs detuned for grit, or a reggaeton dembow tucked under a build to signal a shift without stopping the groove. Lighting and screens usually match the drops with bold color blocks and strobes, but the music choices lead the mood. When they extend a breakdown, it is to set up a bigger contrast, so the next hit lands like a reset button.

If you vibe with trap heft and moombah tilt

RL Grime fans will feel at home with the cinematic builds and 808 focus. Baauer overlaps on hip-hop percussion and playful sample chops that hit hard without clutter. If you like vocal-led drops and rap cameos over bass, NGHTMRE tours tap the same lane. TroyBoi fits for off-kilter grooves and minimal, rubbery bass that still moves a big room. Fans of Dillon Francis often cross with Yellow Claw on trap energy and rowdy call-and-response. Each of these shows leans banger-forward, but leaves room for a cheeky switch-up or throwback that a Dillstradamus crowd tends to cheer for. If you chase big builds, sub-heavy drops, and a bit of humor on the mic, this lane lines up.