CHAOS & CARNAGE 2026 W THY ART IS MURDER + SPECIAL GUESTS presale codes

Aussie deathcore lifers [Thy Art Is Murder] lean into a new chapter after a high-profile vocalist change in 2023, doubling down on precision and heft. Expect a set that balances staple cuts with newer bruisers born of that reset.

Rebuilt and relentless

Songs that hit like avalanches

You will likely hear Reign of Darkness, Death Squad Anthem, and at least one newer rager like Keres or Join Me In Armageddon, with breakdowns spaced for crowd energy. The room pulls from many corners of heavy music: black tees and patched jackets up front, drummers-in-training nodding in back, and a few earplug-wearing lifers comparing pedalboards. A package like this moves quick, so changeovers are tight and the headliner often trims banter to squeeze in one more drop. Two quick notes for the nerds: longtime producer Will Putney has shaped the band's bite for years, and Holy War once cracked Australia's ARIA Top 10, rare for this sound. All song and production notes here reflect informed expectations, not fixed promises, since things can change show to show.

The Thy Art Is Murder ecosystem: shirts, shouts, and respect

Deathcore nights revolve around shared release more than image, and that shows up in simple fits: black long-sleeves, gym shorts, skate shoes, and a lot of band caps. You will hear pockets chant the spoken intro to Reign of Darkness, and during certain songs some scream title lines on cue.

Pits with guardrails

Signals of the tribe

Circle movers tend to watch out for each other, with people tagging out to the sides for water and quick breathers. Merch gravitates toward bold back prints, high-contrast album art from Godlike and Human Target, and tour tees that nod to the Australian roots. Between sets, gear chat buzzes about pedal chains, triggers, and who is running tracks, but the mood stays practical and friendly. By the end, you will notice as many smiles at the rail as head-nods by the soundboard, a small sign that the scene values both catharsis and craft.

How Thy Art Is Murder build the hit: sound over spectacle

Live, [Thy Art Is Murder] push vocals that switch from deep roar to cutting bark, arranged so syllables land like drum hits. Guitars sit ultra-low and dry, with riffs that sprint through tremolo runs before slamming into half-time to let the room breathe.

Breakdowns with purpose

Little choices, big impact

Bass doubles the guitar most of the night, but they often open the low end during breakdowns so the kick and sub synth can thump harder. Drums favor blasts that feel like a fast roll of thunder, then pivot to clean, grid-locked grooves to set up the next hit. A small insider note: they sometimes bump the tempo a hair live and extend intros, like stretching the lead-in to Reign of Darkness to prime the chant. Lighting is mostly stark color blocks, red and white strobes tied to drops, with the logo backlit so silhouettes do the talking.

If you ride with Thy Art Is Murder, these bands fit your playlist

Fans who track the modern heavy axis will also feel at home with Fit For An Autopsy, thanks to groove-forward riffs, thoughtful lyrics, and tour-proven intensity.

Kindred heaviness

Why these acts click

If you like surgical low-end chugs and a veteran front line, Whitechapel lands in the same pocket on stage. Or, if symphonic swells and soaring highs over downtuned punishment are your thing, Lorna Shore brings that flavor while courting many of the same pit habits. For a first-wave deathcore perspective with bounce and crowd-call experience, Suicide Silence overlaps in energy and history. All four acts favor tight pacing, chesty kicks, and a knack for building tension before the drop, which is why their crowds tend to swap shirts and playlists. If you follow package tours, you have probably seen members guesting on each other's sets, which further links these scenes.