Band of Horses Celebrating 20 Years of Everything All The Time presale codes

Band of Horses built their sound on chiming guitars, roomy drums, and a high, weathered vocal that cuts through reverb. This 20-year nod to Everything All the Time frames where they came from and how the songs have aged in the wild.

From Seattle roots to wide-open skies

They formed in Seattle and later settled into a Southern base, and the lineup has shifted over time while keeping the core live feel centered on harmony and ringy guitar tones. Expect the album to anchor the night front-to-back, with staples like The Funeral, The Great Salt Lake, The First Song, and a late-set No One's Gonna Love You carrying the singalongs. The crowd skews mixed: original fans swapping club-show memories stand beside newer listeners who found the band through film cues and playlists, with a patient, head-nod energy between big swells.

Little things the record never told you

Trivia heads love that The Great Salt Lake nods more to South Carolina lakes and friends than Utah, and early sessions favored quick takes to keep the rough edges that suit these songs. Please note that any setlist guesses and staging comments here are informed estimates, not confirmed plans.

Quiet-Loud Fellowship

The scene feels like a reunion without fuss, more denim and soft flannel than flash, with a few vintage caps and scuffed boots near the rail.

Shared hush, shared lift

Fans tend to pocket phones for the early stretches, humming the lead line to The Funeral and saving the wide sing for the chorus of No One's Gonna Love You. You will hear quick, low whoops when the first chords of The Great Salt Lake ring, then a friendly shiver of voices on the wordless bits before the drums open up.

Souvenirs and subtle signals

Merch leans into the anniversary: forest-green prints nodding to the debut aesthetic, a clean tracklist tee, and likely a tour-only vinyl or poster drop. People swap notes about where they first heard the band, from dorm stereos to long drives, and you can spot worn-out OG tees beside fresh anniversary designs. Between songs, the talk is light and respectful, and when the last chords hang, the claps are steady rather than frantic, like a community that knows the arc and savors it.

Chime, Drift, and Drive

Vocals sit high and bright, with the frontperson leaning into a plaintive tone that rides above a cushion of chiming guitars and springy rhythm.

Arrangements that breathe, then bite

Live arrangements tend to start lean and bloom in layers, letting the snare stay dry until the chorus hits and then opening the room with crash and sustained chords. The guitars favor clear, bell-like voicings, sometimes capoed high to keep that sparkle, while keys add soft pads that thicken the sustain without crowding the mix.

Motion without hurry

Tempos rarely rush. Instead, they stretch sections so the hook lands hard, and the band tightens the last chorus with a slight kick in pace for lift. They often let The Funeral begin with a longer volume swell and hold the drop a beat late, a small change that sharpens the payoff. On The Great Salt Lake, expect an extended outro that nudges into double-time strumming while the bass locks a simple, pulsing figure. Visuals tend warm and understated, with backlights and earth tones that keep focus on the ring and blend of the band.

Kindred Travelers on the Map

If you ride with Band of Horses, you will likely cross paths with My Morning Jacket for the big-sky guitars, roomy grooves, and a live arc that blooms slowly then roars.

Harmony cousins, reverb kin

Fans often overlap with The Shins, whose jangly sparkle and bittersweet hooks hit the same corner of indie-heartland melody. Iron & Wine draws the quieter side of this crowd with hushed storytelling that still lands heavy when a band fills out the arrangements.

Modern folk-rock satellites

For layered harmonies and pastoral moods, Fleet Foxes sit nearby, while some listeners drift toward them when they want more choir and less crunch. All of these artists reward patience, prize tone and space, and deliver sets that live in the details as much as the choruses. If those traits move you, this bill scratches the same itch from different angles without feeling redundant.