ALL THE FEELS (18+ ONLY) presale codes

This party centers on alt, emo, and big pop hooks spun by a rotating crew that treats nostalgia like fuel, not costume. It started as a DIY club night and grew into a roaming celebration where catharsis is built from singalongs and sharp edits.

From basement night to national party

Expect a fast arc from warm-up indie to peak pop-punk and then glossy Y2K bangers, the kind that everyone can shout. Likely staples include Mr. Brightside, Misery Business, All The Small Things, and Since U Been Gone.

Tears, hooks, and hands in the air

The room skews 18 to late 20s with plenty of elder-emo friends in the mix, and the energy reads open, queer-friendly, and unpretentious. A neat detail: the DJs keep a city-by-city request log, then build local edits so the last chorus can drop out and the crowd carries it a cappella. Another tidbit is how they sometimes run guitar stems under pop flips, so the transitions feel like a live band turning the corner. Take these likely picks and tech notes as educated guesses, not a locked plan.

The All The Feels Scene, Up Close

You will see vintage band tees, mesh tops, black liner, checkered Vans, and boots, often mixed with fresh thrift finds. Groups trade sticker packs, compare patches, and swap stories about the first time they screamed a bridge in a tiny venue.

Elder emo meets now

Because it is 18+, the floor balances college-night buzz with older fans who pace the singalongs and keep the vibe kind. Expect a quick chant after a false stop, hands up on every pre-chorus, and phone lights only when the DJ clearly asks for it.

Rituals on the floor

Merch leans toward bold fonts, mixtape graphics, and limited city prints that nod to early-2000s zine art. There is a soft respect for consent on the floor, with friends forming loose circles so everyone can jump and still feel safe. When the closing song hits, people often form shoulder-to-shoulder lines and shout the last chorus like a pact, then spill into the night still humming.

How All The Feels Builds the Rush

Vocals come from the room, so the crew engineers space for big choruses by ducking verses and letting drums and bass carry the weight. Arrangements often condense intros to get to the hook faster, then extend bridges so call-and-response can breathe.

Hooks over hype

Guitars and synths are layered like colors, with quick filter moves to reveal a new shade without stopping the pulse. Tempos sprint during pop-punk runs, hover around a steady dance beat for R&B flips, and then spike again for emo classics.

Edits that breathe

A lesser-known habit is nudging the pitch slightly brighter on final choruses, which lifts the room without sounding chipmunk. They also save dry, no-reverb drops for a single line so the crowd shouts in time, then snap back to the full track. Lighting tends to follow the mix, with cool washes during verses and warm strobes on chorus hits, enough to frame the music rather than overwhelm it.

For Fans Who Find All The Feels in Big Hooks

Fans of Paramore tend to show up because the party favors sharp drums, sky-high choruses, and a crowd that knows every word. Fall Out Boy fits too, since the DJs lean into punchy, clever hooks and stop-start drops that echo that band's stage bounce.

Kindred crowds

If your playlist runs through My Chemical Romance, the dramatic builds and fist-up breaks lock right in. You will also hear gleaming pop crafted for catharsis, so Olivia Rodrigo fans should feel at home when the heartbreak anthems slam.

Shared songbook

For moodier synth moments and danceable mid-tempo turns, The 1975 is a fair reference, especially when the lighting cools and the groove stretches. All these artists share bold melodies and a live-first crowd response, which mirrors how the DJs stack hooks for maximum singalong. If you chase shows where the audience becomes the backing vocalist, this night sits in that same lane.