90s Country Hits by The Bolo Mules presale codes

The Bolo Mules are a tight bar-bred country group built to honor the radio kings and queens of the 90s. They lean on twangy Telecaster lines, steady two-step drums, and close harmony vocals with a clear, friendly drawl.

Bar-room roots, radio gold

There has not been a big lineup shake-up lately; the same core players who started the project still run the show. Expect a singalong set that might slide from Friends in Low Places into Boot Scootin' Boogie, with a burst of Man! I Feel Like a Woman! and a sprint through Chattahoochee.

Songs built for two-step joy

The room usually mixes dance couples, parents introducing teens to these songs, and local regulars in pearl snaps who know the step calls. One neat detail: their guitarist keeps a B-bender Tele and a capo handy to echo the studio bends and key changes from the era. Another small nugget: the band charts most covers with the Nashville Number System so they can shift keys on the fly for guest singers. For clarity, the specific set choices and any production cues mentioned here are educated guesses from patterns, not a locked plan for your date.

The Bolo Mules Crowd, Up Close

The scene skews friendly and mixed, with denim jackets, bolo ties, worn boots, and a few 90s tour tees pulled from closets.

Boots, snaps, and gentle swagger

Line-dance circles form and dissolve near the edges, and people quietly teach steps between songs without fuss. You will hear quick cheers on every key change and the classic handclap pattern during the breakdowns.

Shared rituals, low drama

Merch leans into retro fonts and bold colors, and hats are the hot item after the show. Couples two-step during mid-tempo numbers, then fan out when the band hits the big chorus so everyone can belt. It feels like a small community night where respect for the songs matters as much as showing moves.

How The Bolo Mules Make It Move

Vocals sit forward and easy, with the lead keeping phrases short so the crowd can answer lines. Harmonies land on simple thirds that fatten the hooks without muddying the words.

Sound first, flash second

Guitars ride clean amps, and the Tele takes the sharper fills while acoustic strums hold the pocket. On ballads, the drummer switches to brushes and lets the bass carry the pulse so the melody breathes.

Small tweaks, big payoff

A cool detail: one acoustic often uses Nashville tuning, which gives strums a sparkling, almost mandolin-like top end. They sometimes drop a song down a half-step to keep singalongs comfy and to match the original studio feel. Lights are warm ambers and soft whites, framing the band while keeping focus on the kick-and-snare snap. When the fiddle steps out, the rest of the group pulls dynamics down so the solo sings instead of shouting.

Kindred Trails For The Bolo Mules Faithful

If you ride for Garth Brooks, this show scratches the mix of bar-stomp energy and big chorus release he made famous.

Overlapping lanes, shared hooks

Fans of Shania Twain will hear the same bright pop-country sheen and crowd-led hooks on the female-led numbers. Brooks & Dunn loyalists will vibe with the hard two-step grooves and shout-along refrains.

Dance-floor country, radio shine

Listeners who love Alan Jackson for his clean storytelling and brisk tempos will find that same keep-it-simple drive here. These overlaps come from shared instruments, tidy arrangements, and a focus on strong choruses over solos. In short, the band sits in the lane where dance-floor country and radio-ready polish meet.