Trombone Shorty & Orleans Avenue And St. Paul & The Broken Bones presale codes

Trombone Shorty & Orleans Avenue grew out of New Orleans parades and club gigs, fusing brass-band punch with rock, funk, and hip-hop turns. St. Paul & The Broken Bones counter with Alabama soul steeped in church melody, crisp horn charts, and a rhythm section that likes a deep pocket.

Second-line roots, soul revival

Together, the night often moves like a street parade meeting a soul revue, fast entrances, tight hits, and long vamps that invite call and response. Expect Shorty to light up Hurricane Season and flip Here Come the Girls, while The Broken Bones might lean on Call Me and Flow With It (You Got Me Feeling Like).

Two bands, one dance floor

You will see college horn players pressed to the rail, veteran groove heads pacing their steps, and families posted deeper in the floor trading smiles between songs. Look for handkerchiefs twirling during second-line breaks and the quick clap on beats two and four that spreads through the room without prompting. Shorty first played Jazz Fest at age four and now steers a local foundation that funds music education, and The Broken Bones cut early tracks at Nutthouse with producer Ben Tanner before opening shows for The Rolling Stones. These notes about what they might play and how the stage may look are informed guesses from recent runs and could shift with the room.

Street Parade Energy with Trombone Shorty & Orleans Avenue

The floor reads like a split field of New Orleans brass diehards and modern soul fans, with bright prints, vintage sport coats, and well-worn sneakers sharing space.

Dress codes of the groove

You will spot small kerchiefs and towels waving during parade-style breaks, along with enamel pins and screenprinted posters that nod to classic soul labels.

Shared rituals, city to city

Horn players in the crowd trade knowing looks when a baritone line sneaks under the chorus, and a few folks mouth the off-beat claps before the band even cues them. Chants flare up in short bursts, often a brisk "Shorty!" between songs and a rumbling "Paul!" when the mic stand comes forward. Merch tables lean into bold typography, metallic inks, and venue-specific posters, and jackets get draped over shoulders once the room heats up. People swap stories about past Jazz Fest closers, late-night sit-ins, and which city brought the loudest back-and-forth, then save the quiet for ballads. The overall culture prizes feel over spectacle, so the loudest reactions go to pocket-tight grooves, unison horn runs, and a well-timed false ending. Leaving the venue, you often hear beatboxing and whistle riffs trailing down the block, as if the parade just decided to keep walking.

Under the Hood with Trombone Shorty & Orleans Avenue

The show leans music-first, with Trombone Shorty & Orleans Avenue stacking trombone, trumpet, and sax into riffs that punch like a single voice.

Horns that talk, rhythm that lifts

Shorty toggles between trombone bark and clean trumpet lead, while the guitarist keeps crisp chord jabs and the bassist sits just ahead of the kick for lift. St. Paul & The Broken Bones pace their set with dynamic drops so Paul Janeway can soar from tender croon to roof-raising shouts.

Tight lines, loose joy

Both bands favor call-and-response vamps that stretch a tune without losing shape, with stop-time breaks that make the final chorus hit harder. On older staples, Shorty often shifts the key up a half step near the coda, a simple trick that spikes the energy without rushing the tempo. The horn section sometimes doubles bari sax with trombone for extra low-end weight, which lets the drums thin out to snare and cymbal and still feel full. Lighting tends to track the groove in color washes and crisp white stabs on hits, framing the band rather than stealing focus. Expect a leaner ballad or two mid-set to reset ears before the finales return to fast, syncopated bounce.

Kindred Ears: Trombone Shorty & Orleans Avenue

Fans who ride with Galactic will hear the same New Orleans syncopation and brassy swagger.

Groove cousins on the road

Lettuce draws a crowd that loves tight horn stabs over deep-pocket drums, which lands right in Shorty's lane. If you chase vintage-leaning soul with a modern pulse, Durand Jones & The Indications hit the same sweet spot that St. Paul & The Broken Bones explore onstage.

Why these fits click

Listeners who favor nimble vocals, stacked harmonies, and feel-good grooves often split time between Lake Street Dive and these two bands. The jam-friendly set builds and long codas also echo what pulls fans to The Revivalists. Across all of them, you get bright horns, rhythm guitar that skims the beat, and drummers who know when to push the tempo. That mix rewards both quick-foot dancers and headphone listeners who track the details.