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Discodelic roots with Say She She

The Brooklyn trio blends discodelic soul, psychedelic shimmer, and streetwise pop into tight three-part harmony. Each member sings lead and swaps parts, giving the songs a shifting center that still feels anchored.

Three voices, one shimmer

Expect a set that leans on Forget Me Not, Blow My Mind, Fortune Teller, and the activist burner Norma, with deep cuts from Silver and their debut Prism. The floor tends to fill with dancers, from crate-diggers and house-party DJs to friends who learned the hooks on the ride over, while a few younger fans come with parents who spun 70s records at home.

Songs you can actually dance to

One neat note: their name nods to c'est chi-chi and to Chic, and the group has released on Colemine's Karma Chief imprint. Another: vocalist Piya Malik cut Hindi lines on El Michels Affair's Yeti Season, a flavor that sometimes slips into their live phrasing. Expect crisp rhythm guitar, unison bass-and-kick hits, and layered vocals that punch above the room size. For transparency, these setlist picks and production notions are informed guesses rather than a promise.

The wider world around Say She She

The room reads like a dance night with a record-collector twist, with vintage blouses, bold collars, metallic pants, and well-loved sneakers. You hear pockets of soft singing during refrains, and the crowd often holds the clapped pattern between songs until the drummer picks it up.

Retro, not costume

Merch leans tactile: riso-style posters, bold typefaces, and vinyl in eye-catching variants that sell steadily rather than in a rush. Fans trade stories about first hearing Forget Me Not in a DJ set, and a few bring homemade pins nodding to Silver era graphic lines.

Shared rituals over hype

During the activism cut Norma, you might see short, respectful call-and-response moments that feel more choir than chant. After the show, small circles linger comparing favorite harmonies and which breakdown hit hardest.

How Say She She builds the night

Live, the singers stack harmonies like building blocks, often starting a line in unison before fanning into thirds on the last word.

Harmony as engine

The rhythm section favors a springy, mid-tempo pocket where bass and hi-hat carry the dance while guitar chops keep time. Keys add warm pads and short synth flickers, and percussion colors the ends of phrases instead of filling every bar. Slower numbers breathe with roomy intros, then lift when the three voices lock on a single vowel.

Groove in high relief

A neat detail: the band will occasionally drop a chorus down a step live to sit in the sweet spot for blend, then kick it back up for the outro. Lighting tends to be saturated and simple, letting the tones and handclaps read without distraction.

Kindred spirits for Say She She fans

If Khruangbin sits on your shelf, the clean guitar tones and unhurried grooves should click right away. Fans of Jungle tend to like disco tempos and stacked hooks that invite call-and-response without shouting.

Overlapping shelves

Parcels bring a similar live-band polish and tight falsetto blends that keep everything airy but grounded.

Groove-first neighbors

For a grittier soul edge, Monophonics draw listeners who crave analog warmth and horn-forward arrangements. These overlaps point to a crowd that cares about feel, harmony, and danceable pacing more than pure volume.

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