Samantha Fish: Paper Doll World Tour presale codes

Samantha Fish grew up in Kansas City, cutting her teeth at jam nights before building a road-tested band that blends blues bite with rock hooks. In recent years she shifted from the duo run with Jesse Dayton back to her own banner, hinting at a fresh chapter tied to a new Paper Doll theme. Expect a set that leans on Bulletproof, Kill or Be Kind, and Bitch On The Run, with room for a newer cut like Paper Doll and a cigar box spotlight.

From KC clubs to big rooms

Setlist snapshots and crowd notes

The crowd skews mixed in age and background, from local blues fans to younger gear watchers and casual rock listeners who know the choruses. You see people nodding to tight shuffle grooves and filming the cigar box breaks, but the room stays focused on songs first. A neat detail, she often tunes the four-string cigar box to open G for those swampy slides and gritty drones. Another under-the-radar note, Belle of the West was cut at Zebra Ranch with Luther Dickinson, giving her acoustic side real North Mississippi dust. For fairness, treat the setlist and staging notes here as informed speculation, not a promise. Artists switch things up night to night.

Stomp and Stitch: Samantha Fish scene, style, and small rituals

The scene tilts toward denim, worn boots, and the odd brimmed hat, with a few custom guitar-strap patterns showing up near the rail. You see tour patches on jackets next to fresh show tees, and the merch table moves vinyl and posters with cigar box art.

Patches, boots, and bright strings

Shared rituals, not rules

During call-and-response choruses, claps land on the backbeat while phones mostly stay down for the solos. Fans swap notes about pedal chains and tunings in plain language, then trade stories about first seeing her at small clubs. Older blues heads stand shoulder to shoulder with new listeners who found her through streaming, and the mix feels relaxed and curious. Chant moments are simple, often a quick hey or a name shout between songs, and the band leans into it with a grin. Post-show, people compare favorite stretches, like the rootsy mid-set acoustic pocket or the heavy closer, before drifting into the night. It is a culture built on songs, tone, and respect rather than volume wars.

Strings and Smoke: Samantha Fish on craft and onstage spark

Her voice carries a clean edge that can rasp when she pushes, sitting right on top of the snare so words stay clear. Songs often start lean, then open into breaks where the guitar traces a short story arc instead of a showy detour.

Slide grit, song-first choices

Band glue and small fireworks

Expect standard-tuned six-strings for punchy choruses and a switch to a four-string cigar box in open G or open D for slide drama. The rhythm section favors mid-tempo shuffles and straight beats that leave space for hooks, with the bass walking into turnarounds to lift energy. If keys are in the lineup, the organ pads glue the mids and let bitey guitar tones sit without harshness. A recurring live twist is flipping Bulletproof from its studio pulse into a riff-driven rocker with stop-start hits that cue crowd claps. Lighting paints broad strokes in amber and deep blue, framing solos without stealing focus from the music. Small detail hunters will notice how she uses an octave pedal for thickness, then clicks it off when the vocal needs air.

Kindred Currents: Samantha Fish fans and neighboring sounds

If you ride with Samantha Fish, you will likely vibe with Tedeschi Trucks Band for their soulful guitars and long-form dynamics.

Kindred guitar voices

Fans chasing tone and feel

Fans who like modern blues tone with a raw edge often cross over to Gary Clark Jr., where thick grooves meet fuzz and falsetto. Joe Bonamassa draws a gear-savvy crowd that enjoys precision riffs and classic-leaning arrangements, similar to the tighter sections in Fish's set. Sisters in slide, Larkin Poe bring harmony vocals and roots grit that match the song-first punch in her shows. All of these acts carry blues DNA yet keep the songwriting bright and direct, which is why their rooms stay welcoming to first-timers. They also share a respect for improvisation, so the final chorus tends to feel earned rather than stretched for flash.