Ryan Charles presale codes

Ryan Charles blends small-town Wyoming grit with slick hip-hop hooks, calling his style western rap. He broke out on national TV in 2022 via NBC's American Song Contest with New Boot Goofin', turning cowboy swagger into a chant-ready refrain.

Buckaroo bars to broadcast

Before that spotlight, Ryan Charles built a following at Wyoming bar nights and ranch-town gigs, learning to keep jokes and flow tight over loud rooms.

Boots, beats, and likely songs

Expect a tight set built around New Boot Goofin', with Gettin' Western and Old Dirt Fancy keeping the tempo primed for two-step and bounce. Crowds mix college kids in pearl snaps, ranch hands off shift, and hip-hop fans in fresh sneakers, all nodding on the same backbeat. A neat live habit is how he will drop the beat so the room can shout the hook, then slam it back in for a boot-stomp break. All notes here on songs and staging are deduced from recent clips and chatter, so the exact plan may land a bit differently on the night.

Ryan Charles: The scene around the show

You will see square-toe boots next to bright sneakers, pearl snaps beside hoodies, and belt buckles flashing under venue lights.

Denim meets streetwear

People trade boot-care tips by the bar and compare scuffs like hockey players trading stories. On the floor, circles form for quick two-step passes during bouncier cuts, then close up for shout hooks.

Chants, stickers, and stories

Merch trends lean to trucker hats, bolo-print tees, and boot-themed stickers stuck on water bottles and cases. Chants pop on the first 'goofin' and return between songs, often answered by a quick kick drum check from the DJ. The vibe is friendly and open, with folks making room for dancers and posing for boot pics under any neon sign they can find. Older country fans and younger rap fans trade nods, each picking up a few new moves and phrases by the end.

Ryan Charles: How the songs hit live

Ryan Charles raps with a talky drawl that snaps on the snare, then he stretches vowels to make hooks easy to shout.

Swing in the pocket

The beats ride heavy 808 kicks with bright claps, and guitar or fiddle lines add a dusty edge that keeps the songs from feeling too polished. Live, tempos often sit in the 86 to 96 BPM range so people can two-step or bounce without losing the rap pocket. He likes to flip a verse to double time, then open the chorus so voices carry, which feels playful rather than showy.

Trap kit, ranch spice

When a fiddler joins, the parts come in short stabs that act like scratches, while a guitarist chugs low notes to thicken the bottom. Arrangements stay lean, letting the voice lead, and the DJ drops quick edits that tease the next hook before the lights warm up for the drop. A small but telling tweak is how the kick pattern shifts to half-time on the final chorus of a banger, which makes the last boot-stomp hit bigger.

Ryan Charles: Kindred stages and shared fans

Fans of Ian Munsick tend to click with Ryan Charles because both celebrate wide-open West imagery and keep fiddly textures near big hooks.

Western kinfolk

BRELAND brings a pop-smooth take on country-trap, so his crowd already knows how 808s and twang can sit in one song. Yelawolf runs gritty Southern rap with rock flashes, which overlaps with the rougher edges of Ryan Charles humor and bounce.

Country-rap crossroads

Jelly Roll leans into big, heartfelt choruses over hip-hop drums, a mood that complements the sing-along hooks in a western rap set. If you like how BRELAND and Ian Munsick keep shows friendly and danceable, you will likely feel at home here too. Fans who enjoy Yelawolf or Jelly Roll for their genre-blending energy often chase that same spark in smaller club rooms. All four tend to draw mixed crowds who sing loudly without fussing over strict genre lines.