Tom Grennan is a Bedford-born singer with a gritty, warm voice and a pop-rock heart.

From pub corners to big choruses

He rose from pub gigs to a breakthrough feature with Chase & Status, then built his own chart runs. Expect big singalongs like Little Bit of Love, How Does It Feel, Found What I've Been Looking For, and the dance cut By Your Side.

Race-day mix, pop hooks

On a race-day bill, the crowd skews mixed: groups fresh from the track, pop-radio fans, families, and plenty of first-timers testing the waters. You will hear football-style chants between songs, but the tone stays friendly and patient. Less known: he once trained with a pro youth academy before music pulled him in, and his early live sets were often solo with just an acoustic guitar. He sometimes trims or extends bridges to keep the energy steady outdoors. All setlist and production thoughts here are educated guesses and may play out differently on the night.

The Tom Grennan Crowd, Up Close

On a race-day stage, you get a blend of glossy day-out outfits next to hoodies and trainers, with a few retro football shirts in the mix.

Friendly singalong culture

Fans tend to sing the hooks more than the verses, so the loudest peaks land on the last choruses. Expect a sea of phone lights on the slower numbers and quick group selfies during the first big drop.

Wear what works, belt the chorus

Merch leans simple: bold name tees, a varsity-style jacket, and caps that play well with casual looks. Chants often start from the back and roll forward, and Tom Grennan usually lets them breathe before counting the band in. People give space for kids on shoulders during the big singles, and security tends to nod fans through gentle singalong moments. The talk after the show is about choruses and feeling good with friends, not deep gear chat or rare cuts.

How Tom Grennan's Band Makes It Hit

Tom Grennan sings with a rough edge that lifts on the high notes, and he controls the grit so words stay clear.

Grit up front, band in the pocket

Guitars carry the verses with clean, chiming lines, while keys add soft pads that thicken the chorus without crowding the vocal. The rhythm section favors a tight, dry kick and snare so handclaps and crowd vocals lock in easily. Live, he often starts a song on piano or acoustic, then brings the full band in on a bigger second verse for a simple rise that feels earned.

Simple builds, big payoffs

He sometimes tags a few bars of his breakthrough collab before a hit, bridging energy without stopping the flow. Tempos are nudged a touch faster than the recordings, which keeps outdoor sets lively but still singable. Lights favor bold color washes and crisp strobes on the final chorus, highlighting the band hits rather than telling a story. A small but useful habit: he leaves space after the first chorus for the crowd to echo the hook, then the drummer drives back in on a simple four-on-the-floor.

Kindred Paths for Tom Grennan Fans

Nearby sounds, shared crowds

If you like heart-first hooks, Lewis Capaldi delivers big ballads with a similar gravel-and-glow tone, though his pace runs slower. George Ezra shares the warm baritone and sunny strum, appealing to fans who want steady grooves with uplifting choruses.

Hooks, grit, and open-air energy

James Bay leans into guitar-driven drama and live dynamics that nod to classic rock while staying radio-ready. For a punchier, indie-leaning edge, Sam Fender adds Springsteen-sized stories and sharp rhythms that resonate with the same festival crowd. All four balance melody and muscle, aiming their sets at mass singalong moments rather than deep-cut jams.