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He came up blending pop-rap with guitar-friendly hooks, finding breakout momentum with Drew Barrymore and the Lazy Fair era.

Sunny hooks, talk-sung charm

His vibe stays sunny and conversational, with a talk-sung flow that sits between rap and indie pop.

Who shows up, what you hear

Expect a set that stacks Drew Barrymore, La La Land, Sour Patch Kids, and Handsomer, with breezy cuts in between. Crowds skew mixed-age, from college groups to longtime pop-rap fans, lots of friends sharing verses and pockets of dancers near the aisles. He attended Berklee College of Music before breaking out online, and the Handsomer remix with Yung Gravy started as a fan open-verse challenge. On this run, you might hear fuller live-band takes that lean into clean guitar and punchy drums, keeping the bounce without feeling rigid. Treat the setlist and production notes here as informed speculation rather than a promise.

The Bryce Vine scene, up close

The scene skews casual and colorful, think denim jackets, bucket hats, and bright sneakers that match the sunny tone.

West Coast casual, chorus-forward

You hear quick call-and-response on the first chorus that lands, with the room taking the top line while Bryce rides the second.

Shared moments, small rituals

During La La Land, pockets of the floor throw up a loose la la chant between hits, then snap back into the groove. Merch trends lean toward pastel tour tees and caps; the piece that moves is usually a clean, simple logo rather than loud art. Early fans still talk about the Lazy Fair days, and a few show up in vintage prints as a quiet nod. Pre-show playlists tilt to coastal pop and light hip-hop, priming the bounce before the band steps out. Post-show, groups hang to debrief favorite lines, more like friends swapping quotes than chasing a big flex.

Bryce Vine on stage: groove-first craft

Live, he keeps the vocals relaxed and clear, sitting just ahead of the beat so the lines feel like a conversation.

Hooks first, rhythm tight

Guitars carry the sparkle, often playing short riffs that echo the hooks while bass and kick hold a steady bounce.

Little switches that lift the room

The drummer punches choruses with bigger crashes, then pulls back to a drier pocket for verses, which makes the talk-sung parts land. Arrangements favor simple forms, but he sometimes flips a last chorus to half-time or drops the beat to let the crowd sing the hook. A common live tweak is stretching the intro of La La Land with muted guitar before the full beat hits, adding a small lift without changing the song. Keys and pads fill the high end so the vocal can sit clean, and harmonies pop up on tags to thicken the final refrains. Lighting follows the groove, warm ambers for verses and cooler strobes on drops, more mood than spectacle.

Kindred grooves for Bryce Vine fans

Fans of Quinn XCII will line up with Bryce thanks to breezy tempos, conversational vocals, and bright singalongs.

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blackbear shares the pop-rap sheen and cheeky wordplay, though he leans lighter and more guitar-first.

Overlapping scenes, shared playlists

Marc E. Bassy brings the same West Coast polish and late-night romance, a lane that overlaps plenty in the crowd. If you like glossy hooks and crisp drums, MAX lands nearby, and his fans often show up for crossover pop energy. All four acts aim for catchy choruses and friendly grooves, but this show keeps a sunnier, talk-with-the-room approach that plays well live. So if your playlist swings from beachy pop to light hip-hop, this bill fits right in.