Boys Like Girls presale codes

Boys Like Girls came up in Boston in the mid-2000s with clean guitars and oversized hooks.

From basements to big hooks

After years of quiet and side projects, they returned in 2023 with Sunday At Foxwoods, a bright, nostalgic pop-rock record. That long pause is the lens for this run, with Martin Johnson leaning into both old anthems and newer, warmer textures.

What you might hear

Expect The Great Escape, Love Drunk, and Thunder, with Two Is Better Than One likely reworked for a crowd duet. The room skews mixed-age, from early fans in faded shirts to newer faces mouthing choruses from playlists, all friendly and sing-forward. Early on, the band climbed MySpace charts before radio caught up, and Johnson also leads The Night Game, which sharpened his ear for glossy hooks. The studio cut of Two Is Better Than One features Taylor Swift. These notes on songs and staging are inference from recent shows and could shift on the night.

The Boys Like Girls Crowd, Then and Now

Y2K flair, modern ease

You will see vintage band tees next to fresh album art shirts, plus denim jackets with old patches and a few DIY iron-ons. Footwear leans practical, with Vans and worn boots, while a handful of fans bring lyric signs for Two Is Better Than One.

Shared cues and chorus pride

Chants pop up early, but the loudest moments are the na-na-na lines in The Great Escape and the hand-sway on Thunder. Merch tends to favor the heart logo and varsity fonts, with a couple of throwback colorways that nod to the 2000s. Between songs, the mood is friendly and low-key, more shared stories than chaos. It feels like a reunion of eras, where longtime fans welcome newer listeners who found Boys Like Girls on streaming and now want the singalong in person.

How Boys Like Girls Build the Big Chorus

Guitars that sparkle, drums that push

Martin Johnson's tenor sits clear up front, a little sanded at the edges so it cuts without shouting. Live, two guitars split duties, one holding bright chords while the other decorates with chiming lines and simple octave runs. The band favors brisk tempos but often drops to half-time in bridges so the last chorus can land harder.

Small moves, big payoff

Keys and pads tuck under the mix on newer Sunday At Foxwoods songs, yet the drum kit stays punchy so the groove feels human. A small but telling habit: they reframe Two Is Better Than One as a mostly acoustic moment, then bring the full band in for the final refrain. On Love Drunk, expect a quick stop-and-go arrangement that invites claps before the chorus returns. Guitarists sometimes use capos on Thunder to keep that glassy shimmer while the bass carries the weight.

Boys Like Girls Neighbors on Your Playlist

Kindred hooks, different shades

Fans of All Time Low tend to click with the same bright tempos, tight harmonies, and friendly onstage banter. The Maine shares a cleaner, moodier slice of pop-rock, overlapping with Boys Like Girls's newer cuts.

If you like X, you'll like this

We The Kings draw a similar crowd that values big, shout-along hooks and a sunny approach. If you grew up on Simple Plan, the blend of polished choruses and earnest themes will feel familiar. All four acts balance pop instincts with guitar bite, and each keeps shows conversational rather than brooding. That shared lane makes cross-fandom likely, especially for people who prize melody first and like to sing more than mosh.