Ashnikko built her sound between North Carolina roots and London DIY rooms, fusing brat-rap, glitchy pop, and steel-cut hooks. The Smoochies run leans into the feral fairy world she shaped on WEEDKILLER, with candy tones over industrial thump.

Bright sugar, heavy crunch

Expect anchors like Daisy, Slumber Party, and Worms, with a late-set blast of STUPID to spike the BPM.

Who shows up and why it pops

Crowds skew mixed-age and creative, with hand-made fits, cobalt wigs, and many queer and alt-pop fans trading stickers and lyrics. A fun bit is her yearly Halloweenie drops, which started as a joke and became a tradition. Early on she cut her teeth on mixed-genre bills before moving to fuller band shows, a path that sharpened her breathy to barked delivery. Details about songs and staging here are educated guesses and could shift from date to date.

The Smoochies Scene Around Ashnikko

Expect a bright DIY fashion mix with platform boots, mesh layers, bug and vine motifs, and splashes of cobalt hair dye.

Soft armor, hard beats

People trade handmade bracelets and tiny zines, and you see painted cheeks with cartoon hearts more than corporate logos.

Chants and little rituals

Big chant moments land on the Im crazy but you like that line in Daisy and the clipped shout of you make me sick during You Make Me Sick!. Phone lights appear for slower bridges, while the front rows keep a jump-in-place bounce over full pits. Merch leans graphic and a little feral, with WEEDKILLER thorns, toothy hearts, and neon inks on tees, crops, and a game-like poster. It feels like a costume party built by music nerds, where care for personal space and pronouns is part of the code.

How Ashnikko Sounds When It Hits

Ashnikko flips between sing-talk verses and high bell-tone hooks, often doubling choruses with pitched harmonies for extra cut. Live drums and a fuzzed guitar add grit under the 808s, keeping the rhythm physical without burying the words.

Music first, lights follow

Arrangements run tight and punchy, with quick intros, short bridges, and dropouts that set up big chant lines. She favors mid-tempo stomps that snap into double time, turning STUPID and Daisy into jump breaks.

Little tweaks that hit harder

A neat detail is the beefed-up riff on Slumber Party, with clipped pauses so the crowd can fire the call and response. Lighting rides the music, shifting from cotton-candy pastels to acid greens as the mood moves from flirt to fury. On some runs the band drops a chorus a half step to favor grit over shine, which keeps the belt strong over a long night.

If You Like Ashnikko, You Might Love These

If you ride for Ashnikko, you will likely lock in with Rico Nasty, whose punk-rap bite and blown-out drums mirror the rowdy side.

Hooks with fangs

Doja Cat hits the sleek pop-rap lane, mixing tight hooks with room for playful freestyles. Poppy blends metallic crunch with sugar choruses, echoing the industrial gloss behind WEEDKILLER moments.

Couture chaos, big feelings

The flamboyant art-pop of Dorian Electra overlaps in camp, crowd costuming, and synths that squeal then sparkle. For big catharsis and theater-kid precision, Chappell Roan brings stadium-size hooks while keeping a punk wink. Across these shows you get bass-forward mixes, chant-ready drops, and fans who value humor as much as heaviness.