#### Split roots, same sweet pulse #### Songs, crowd, and small surprises UB40 Feat. Ali Campbell centers the original voice of UB40, with Ali Campbell leading a band rooted in lovers rock and pop-reggae. After the split from UB40, Campbell has carried the catalog with care, and the show now folds in a gentle nod to Astro, who passed in 2021. The feel is mid-tempo and unhurried, with horns phrasing the hooks and the rhythm guitar chopping the upbeat. Likely picks include Red Red Wine, Kingston Town, One in Ten, and Can't Help Falling in Love. The crowd skews mixed in age, from folks in well-loved Labour of Love shirts to new fans who discovered these songs via playlists, most of them swaying rather than shouting. You will see families and date-night pairs, and plenty of reggae-minded listeners comparing horn voicings between songs. A neat detail: their Red Red Wine follows Tony Tribe's 1969 reggae version more than Neil Diamond's original, and Kingston Town traces back to Lord Creator. Treat this as a best-informed preview, not a promise; set choices and any production touches can change show to show.

### Crowd of Love: around UB40 Feat. Ali Campbell

#### Slow-dance reggae, British pop memories #### Signals from the floor The scene leans relaxed and intergenerational, with light button-ups, vintage band tees, bucket hats, and flags tucked over shoulders. You will see plastic cups of red wine raised during the chorus, and soft two-step dancing threaded through the aisles. Call-and-response shows up on One in Ten, and the toast hook from Red Red Wine gets echoed by a good slice of the room. Merch tables favor clean designs that nod to Signing Off paperwork art and to Astro's memory. You hear memories swapped about hearing these songs on 80s radio next to new fans curious about the deeper cuts. The overall etiquette is courteous, with more head-nods than jumps and a steady chorus of harmonies from the floor.

### Labour of Love, Live: the sound of UB40 Feat. Ali Campbell

#### The groove is in the details #### Small choices, big feel Ali Campbell's tenor rides high and slightly behind the beat, which gives the songs a gentle pull without losing clarity. The band keeps the groove simple and deep: offbeat guitar, a bubbling organ figure, and a bass tone that is round rather than boomy. Horns handle many of the hooks, often answering the vocal lines so the choruses feel fuller without getting loud. Several staples run a notch slower than their radio versions, which lets the harmonies and the toast sections breathe. A bandmate usually leads the brief toast that Astro once voiced, turning it into a respectful spotlight rather than a hype break. A small but telling choice: some songs now sit a half-step lower, easing the strain while keeping Campbell's trademark brightness. Visuals tend to be warm washes that frame the horns and percussion, with a tasteful nod in red during Red Red Wine and archival photos for the tribute moment.

### Kindred Riddims: where UB40 Feat. Ali Campbell fans also lean

#### If this hits, try these #### Neighbor artists on the road Fans of Steel Pulse will latch onto the UK reggae roots and steady sway, even though Campbell's set leans softer. If you enjoy the smooth romance of Maxi Priest, the singalong hooks and mid-tempo skank here land in the same lane. The Wailers appeal to listeners who want classic riddims played by a road-tested band, and that same easy pocket drives this show. Lovers rock devotees who follow Beres Hammond will hear a kinship in the warm baritone-and-horns palette, just delivered with Campbell's lighter tenor. Pop-reggae fans who see Shaggy for big choruses and friendly banter will find a more laid-back but similarly welcoming energy.