The Black Crowes, Tedeschi Trucks Band, Whiskey Myers presale codes

The Black Crowes are in a renewed chapter, with the Robinson brothers reunited and a leaner lineup after years of stops and starts. The music hits that Southern rock and blues pocket, with gospel shine on big choruses and rough edges left in.

Old roots, new spark

Expect anchors like Remedy, She Talks to Angels, Hard to Handle, and a stretched Thorn in My Pride that lets the band breathe. Recent sets lean on Shake Your Money Maker and fold in fresh 2024 cuts from Happiness Bastards. The crowd feels mixed in the best way, from long-time crate-diggers to younger fans who came in via Tedeschi Trucks Band or Whiskey Myers. You will notice harmonica and keys filling space tastefully, keeping the groove fat without clutter.

A couple of deep cuts

Their signature hit is a reworked Otis Redding tune, proof of how they bend soul into rock. They also spent a famous run with Jimmy Page, pulling out deep Zeppelin cuts with swagger. Treat any talk here about songs and staging as informed scouting, not a promise.

The Black Crowes Crowd, In Real Life

The front rows lean denim and boots, with vintage tees and some Western shirts from the Whiskey Myers side. You will spot patches for The Black Crowes, Tedeschi Trucks Band, and old soul labels on jackets.

Little rituals, big heart

People swap setlist guesses and trade notes on favorite versions of Thorn in My Pride, often citing the longest harp break they heard. When Hard to Handle hits the breakdown, a clean, in-time hey rings out, and on Remedy the crowd answer lines stack in easy harmony. Merch skews to crow icons, trucker hats, and clean poster art in earthy colors.

A scene that values songs

The mood is social but tuned-in, with quiet for the slow burners and space to move when the groove rises. It feels like a meet-up for rock, blues, and Americana fans who prize songs and musicianship over flash.

How The Black Crowes Build the Sound

The vocals ride a rough-sweet edge, leaning behind the beat so the groove breathes. Guitars favor open tunings and thick rhythm strums, with short answers to the vocal lines instead of crowding them.

Parts that click, not clash

On Remedy, the band often plays a touch slower live, which makes the chorus feel heavier when the drums open up. Keys and backing voices add a gospel lift, while bass stays round and simple to pin the center. A common move is tagging a short soul vamp inside Hard to Handle before snapping to the hook, giving space for call-and-response.

Visuals that support the song

Lights tend to stay warm and moody, shifting with dynamics rather than trying to lead the show. It all reads music-first, with parts locking like gears and solos arriving as payoffs, not filler.

Kindred Roads: The Black Crowes and Their Peers

Fans of Gov't Mule will click with the thick, bluesy riffs and patient jams.

Kindred spirits on the road

Blackberry Smoke shares the Southern shuffle and sing-along hooks that The Black Crowes crowds enjoy. If you like soulful guitar fireworks and a tight rhythm team, Marcus King lands in the same lane live. The Allman Betts Band brings that highway vibe and twin-guitar conversations that reward close listening.

Why these names fit

Together these acts value tone, space, and sturdy songs more than showy tricks. That overlap makes this bill a natural draw for people who chase groove and grit over polish.